Impact case study database
Search and filter
Filter by
- The University of Manchester
- 22 - Anthropology and Development Studies
- Submitting institution
- The University of Manchester
- Unit of assessment
- 22 - Anthropology and Development Studies : B - Social Anthropology
- Summary impact type
- Cultural
- Is this case study continued from a case study submitted in 2014?
- No
1. Summary of the impact
Anthropological research undertaken since 2015 at The University of Manchester (UoM) has reframed understandings of the sonic environment in Okinawa, Japan. The research introduced multimodal methods of sound playback, changing the way people listen to and perceive the soundscape. It broadened the focus from how aircraft noise affects public health to how a broader ‘soundscape’ has an effect on historical and traumatic memories. Impacts of the research are evident in three areas:
increasing public understanding of the effects of environmental sound in producing acoustic trauma in Okinawa;
re-focusing the complex political issue of the effects of US bases in Okinawa around a broader concept of the sonic environment in policy and legal spheres in Japan;
curating cultural heritage in Okinawa, using the preservation and interpretation of sound as an integral component.
2. Underpinning research
Research involving practice-based methods of sound recording and filmmaking was undertaken at UoM led by Dr Rupert Cox, alongside Professor Kozo Hiramatsu (an acoustic scientist, Kyoto University) and Professor Angus Carlyle (a sound artist, University of the Arts, London). The research was supported by grants from the Japan Society for the Promotion of Science (JSPS), Toyota Foundation and UoM. It built on prior investigations (beginning in 2007) on sound in Okinawa. Since 2007, the research has extended beyond a narrow focus on how aircraft noise from US military bases affects public health to demonstrate how a broader ‘soundscape’ shapes historical and traumatic memory and acquires cultural heritage value [1, 2, 3]. The findings expose the failure of established methods to account for the role of environmental sound in producing acoustic trauma. They demonstrate the significance of a broader individual and collective experience of sound, as opposed to narrower analytical approaches that focus on the effects of noise on health and habitus.
Multimodal methods, which combined sound recordings with contemporary and archive film and interviews rendered as on-screen text, were used to create a film style and mode of public interaction. This innovation addressed the shortcomings of the ‘Impact of Event Scale-Revised’ (IES-R) method, used since the 1970s in psychology as a standard measure of trauma and late-onset post-traumatic stress disorder. The IES-R is a self-reporting measure based on a numerical scale to evaluate the intensity of trauma. It fails to account for respondents’ use of language or for environmental sound’s capacity to communicate the experience of an event away from its original site [4].
Examples of this multimodal film style include the 50-minute film Zawawa: the sound of sugar cane in the wind [3, 5] and a curated art film installation Cave Mouth and the Giant Voice, commissioned for the 2015 London College of Communication exhibition ‘Staging Disorder’ [2]. The films revealed how, for Okinawans of the war and post-war generations, natural sounds ‘carry baggage’. Zawawa demonstrated the research finding that sounds are not heard exclusively in the places where they occur but are ‘heard’ in the imagination of local people who have strong sound-memories from other places, based on their life experiences [3, 5]. Cave Mouth and the Giant Voice comprised an art installation including a 10-minute sound film, developed around an interview with a research participant, a survivor of the 1945 Battle of Okinawa, conducted in the cave where he had originally sheltered from the battle. The film was installed in a 5-meter long rectangular volume, reproducing spatial characteristics of the cave, with the interview transcript mounted on the exterior walls of the installation, alongside a 300-word interpretative text giving historical context for the battle. The art film installation takes understandings of acoustic trauma beyond clinical diagnostic categories and, through immersion in environmental sounds, taps into the intensities of people’s experiences [2].
The multimodal research with participants in these films, and on Okinawa audiences’ responses to them, found that natural sounds can have positive and negative associations. Negatively, natural sounds can result in sonic experiences of dissociation from present situations to remembering troubling episodes from the 1945 Pacific War and post-war period. Positively, natural sounds convey a sense of place that can acquire cultural heritage value as part of an official archive. These different associations and their roots in the concept of soundscape are evident in the responses by a variety of listeners to the audio-visual design of particular methods of playing back sounds. The research shows that sounds that relate directly to memories of war form part of a broader soundscape, which, alongside natural sounds, includes the sounds of places like Shuri Castle and devices like the sanshin instrument (see section 4), which are important elements of a cultural heritage that policy-makers and cultural influencers are keen on preserving as a ‘precious legacy’.
3. References to the research
[1] Cox, R. & Carlyle, A., (2016). The Cave Mouth: Listening To Sound and Voice in Okinawan War Memory. In: Saunders, N. J & Cornish, P. (eds.) Modern Conflict and the Senses. London: Routledge Press, pp. 123-142.
[2] Cox, R. & Carlyle, A., (2015). Cave Mouth and Giant Voice. Installation for a public exhibition ‘Staging Disorder’ at London College of Communication, University of the Arts, London. Available @ https://vimeo.com/124139457.
[3] Cox, R., Carlyle, A., Nishimura, A. & Hiramatsu, K. (2017). Zawawa: The Sound of Sugar Cane in the Wind. Available @ vimeo.com/240503920 (Password pachipachi).
[4] Cox, R., Irving, A. & Wright C., (2016). Introduction: the sense of the senses. In: Cox, R., Irving, A. & Wright, C. (eds.) Beyond Text: Critical Practice and Sensory Anthropology. Manchester: Manchester University Press, pp. 4-27.
[5] Cox, R., Carlyle, A. & Hiramatsu, K., (2020). Zawawa. Berlin: Archive Books.
Evidence of Research Quality: The research and outputs have been supported by peer-reviewed grants: Japan Society for the Promotion of Science (2015, GBP47,000) and; Toyota Foundation (2015 - 17, GBP35,000). Zawawa [3] has been selected for screenings across Europe and North America, including Skibbereen Arts Festival; Ethnografilm festival; Athens Ethnographia Film Festival; Displacements Virtual Film Festival (Society for Cultural Anthropology); Manifesta Festival, Liminaria, Palermo; Canadian Anthropology Association Film Festival; Sjón International Anthropological Film Festival; Jean Rouch International Film Festival (one of 28 films selected from 730 submissions); and the Denver International Experimental Screen Festival.
4. Details of the impact
Okinawa is one of 47 prefectures in Japan. The population and surface area of its islands comprise about of 1% of Japan’s totals but host over half of the 100,000-plus US military personnel in the country. The research achieved three types of impact:
- Increasing public understanding in Japan of how environmental sounds can produce acoustic trauma.
The research-based film, Zawawa [3], was screened in seven public venues in Okinawa in September 2017 (3 universities and 4 community centres). The success of the multimodal design for playback was shown in the impact on audiences of the film’s demonstration that natural sounds ‘carry baggage’ related to the war and post-war periods. The broadcast featured an interview with war survivor Tamotsu Tokeshi, whose testimony about the mnemonic aspects of sugar cane featured in the film. He commented that his involvement in the film reminded him of how he associated the natural sound of the ‘whispering sugar cane fields’ with the impending bombardment that preceded the US ground-assault. The clip also showed audiences commenting on the film’s impact, making them hear familiar military aircraft sounds in new ways that reminded them of how disturbing they actually were. This impact was disseminated nationwide on the Japan Broadcasting Corporation (NHK) morning news, regularly viewed by more than 10,000,000 people, in a four-minute TV broadcast ‘Echoes of Life’ (26 October 2017). An international (English-language) version was broadcast more than 10 times in December 2017 on the NHK World’s English-language international channel and watched in 160 countries and regions. In Japan where the mainstream media focus on the noise from the military bases is in terms of current political debates and anti-US activism [A, B], the broadcast created a new awareness of the film’s importance in shaping Okinawans’ understandings of sound and war trauma. Evidence of this is the testimony of [Text removed for publication] in Okinawa’s prefectural government, who said the film and the broadcast created ‘ a new space for dialogue among people’ [B].
The research and methods have had wide appeal, as evidenced by the multiple screenings of Zawawa across Europe and North America in festivals attended by professional practitioners and public arts circles. Its presence at the Jean Rouch Festival (November 2018), a world-leading ethnographic film festival and a major cultural event in France, substantiated the importance of the methods employed and their public value. It led directly to two invitations from the French National Centre for Scientific Research (CNRS) and the School for Advanced Studies in the Social Sciences (EHESS) to present the film, including at the Mucem in Marseilles (January 2020) as part of the Salon des écritures alternatives en sciences sociales, an extra-mural event of the Jean Rouch International Festival. The film has also been described in the Guardian as evidence of the positive and negative effects of noise [C].
The research-based installation Cave Mouth and the Giant Voice [2] was commissioned from Cox and Argyle by Christopher Stewart and Esther Teichmann for the London College of Communication exhibition ‘Staging Disorder’ (26 January to 26 March 2015), and was accepted for the experimental film club ‘INTER #7: Sonic Spaces In Between’ (Glasgow 2016) and the SIEF congress (International Society for Ethnology and Folklore, Gottingen, 2017). It was reviewed in two contemporary art journals ( Photographers’ Gallery and Smiths Magazine).
- Re-focusing the political issue of the effects of US bases in Okinawa around a broader concept of the sonic environment in policy and legal spheres in Japan.
The impact on policy and legal spheres of the film Zawawa and the associated NHK TV broadcast is evidenced by the testimonies of the [Text removed for publication] Planning Department of Okinawa’s prefectural government. [Text removed for publication] states that the research “ showed how aircraft noise pollution has brought back war memories to Okinawans and caused adverse impact on their health” [B]. He added that he “ learned much from [the] research” when he “ was preparing to make a plan to utilize former U.S. military sites” [B], referring to the long debated and delayed removal of the Futenma base. [Text removed for publication] said the broadcast “ showed the importance of considering the memories of individuals when conducting…environmental measures related to U.S. bases” [D], indicating the need to take into account detailed verbal accounts of sonic trauma alongside environmental surveys.
A further dimension to the re-focusing of debates about the effects of US bases around a broader concept of the sonic environment is that the soundscape concept - as it emerged in the use of multimodal sound design and playback methods to reveal listener perceptions - was apt and precise enough to be used as legal evidence. The Japan Soundscape Association (SAJ) has used the research in contesting an application to Japan’s Patent Office, which seeks to register ‘Soundscape’ as a trademark in Japan. A patent lawyer in Tokyo has advised that the word ‘soundscape’ is not suitable for registration as a commercial trademark because it was coined half a century ago and has been used within Japan as well as internationally to indicate the sonic environment. [Text removed for publication] of SAJ states that Cox’s research is being cited in the legal case as “ evidence of the term’s analytic force and applications” as it shows “ how the concept of soundscape can be part of local, national and international debates about the continued presence and activities of the US military bases in Okinawa by creating a new understanding about how ‘noise’ is constituted and how it effects public health and the environment” [E].
- Curating cultural heritage in Okinawa: using the preservation and interpretation of sound as an integral component.
The impact of the research on the field of cultural heritage is evidenced by a commission to create the Ryukyu Island Sound Archive (RISA) comprising Cox’s recordings of Okinawan soundscapes (Okinawa is part of the Ryukyu Islands). These recordings are the primary data that underpin the playback and multimodal research methods. A contract for RISA was signed in June 2020 [F] with Alexander Street (AS) (part of ProQuest, the world’s biggest online educational provider). RISA will go live in 2021 as part of the landmark collection ‘Ethnographic Sound Archives Online’, which is one of four online collections in AS’s Anthropology Resource Library. AS has contractually committed to investing GBP220,000 in the collection (which includes an Open Access feature), of which GBP51,800 is specifically assigned to RISA.
The significance of the research and research methods to cultural heritage is highlighted by [Text removed for publication] of the Art Foundation (Okinawa Prefectural University of Arts) who says that “What makes [Cox and colleagues’] research significant is that they have been recording sounds based on the philosophy that sounds are heard by taking account of history. They are not recording sound waves that physically exist but recording sounds that exist in peoples’ memories and in their cultural and spiritual activities. Making such sounds into an art work is an outcome that is successful as a significant achievement in the cultural history of Okinawa”. He strongly believes the Archive “ will become an important resource for Okinawa’s cultural research. It will benefit all the people in the world who conduct research on Okinawa” [G].
The Ryuku Island Sound Archive also garnered the support of [Text removed for publication] the Department of Planning and the [Text removed for publication] at the Okinawa Prefectural Government. [Text removed for publication] believes the Archive will “ show a new understanding of Okinawa’s cultural heritage” [B], while the [Text removed for publication] says he intends to “inform Okinawan people living abroad [of the archive] through the network of Okinawans in foreign countries” [D] . He says, “I have a big hope that this will promote the preservation of our cultural heritage and environment and strengthen the ties of Okinawans” [D]. For the [Text removed for publication] (University of Ryukyus),“ The sound archive developed by Dr Cox and his team…would be an influential effort in the cultural activities of islands as the first attempt in Okinawa to promote preservation and usage of regional cultural heritages through sounds. As it has an open access…we will make use of the resource and inform many other people beyond researchers. I strongly believe that Dr Cox and his team’s research will make an impact on the methodology of conducting research on Okinawa and other islands in the Pacific region. It will also create a new axis to interpret sound as part of a cultural heritage” [H].
[Text removed for publication] of Okinawa Prefectural University of Art s states that the archive is “ an innovative art concept” that “ is significant as it archives sounds that should not be lost, including the sound of sanshin and of Shuri Castle” [I]. Sanshin is a local musical instrument, significant in the memories of Okinawan internees held in US military camps. Shuri, a World Heritage Site, is an old Ryukyu Kingdom palace, almost destroyed in the 1945 Battle of Okinawa and then rebuilt as a university campus, which was severely damaged by fire in 2019, meaning Cox’s recordings in the Castle are a “ precious legacy” [G].
5. Sources to corroborate the impact
Testimonial from Producer Taiki Toma, NHK journalist (23 October 2019) - ‘Echoes of Life‘, broadcast on NHK TV News feature (broadcast 26 October 2017).
Testimonial from [Text removed for publication]
The Guardian ‘Sounding it out: ‘Listening to white noise put my life back on track’, by Megan Nolan (17 November 2019).
Testimonial from [Text removed for publication] Okinawa Prefectural Government (27 December 2019)
Testimonial from [Text removed for publication] Aoyama Gakuin University (2 December 2019)
Contract for Archive from [Text removed for publication], Alexander Street, a Proquest company (June 2020)
Testimonial from [Text removed for publication], Art Foundation of the Okinawa Prefectural University of Arts and [Text removed for publication] at Meio University (20 November 2020)
Testimonial from [Text removed for publication], University of Ryukyus (11 November 2019)
Testimonial from [Text removed for publication], Okinawa Prefectural University of Arts (2019).
- Submitting institution
- The University of Manchester
- Unit of assessment
- 22 - Anthropology and Development Studies : B - Social Anthropology
- Summary impact type
- Societal
- Is this case study continued from a case study submitted in 2014?
- No
1. Summary of the impact
Anthropological research on the body, biotechnology and 'public understanding' of science, undertaken by Professor Jeanette Edwards, has informed the development of policy on and led to the improvement of practice in the cosmetic procedures industry in the UK, and also informed the public awareness about regulation of the industry. Specifically, the research findings have:
raised public awareness of the health risks of the unregulated provision of cosmetic procedures and the need for better regulation of providers, premises and products;
informed and supported professional bodies in shaping best practice and training;
shaped the development of proposals for new legislation to improve the regulation of the cosmetic procedures industry in the UK.
2. Underpinning research
In 2015, Edwards was invited by the Nuffield Council on Bioethics (NCoB) to chair a multidisciplinary working party (WP) on cosmetic surgery and cognate procedures such as botulinum toxin and dermal filler injections, 'Cosmetic Procedures: ethical issues' (2015 - 2017). The Assistant Director of the NCoB, Katharine Wright, states that Edwards’, “anthropological expertise was felt to be particularly valuable for a multidisciplinary working party focusing on cosmetic procedures in the UK, as it allowed for insight from a broader cross-cultural literature on elective modifications of the body” [A]. The work of the WP in 2015 - 2017 entailed new empirical research, detailed in a 226-page report “The ethics of cosmetic procedures” [1]. This research included fact-finding events, interviews, archival research and discussion groups, as well as literature reviews, one of which included a wider anthropological literature review on body modifications.
Edwards’ research highlighted emerging ethical concerns regarding the scope for harm around the provision and uptake of cosmetic procedures, and the ‘patchwork’ nature and inadequacy of current regulation. It revealed ongoing challenges of accountability, limited means of redress for poor outcomes, uneven standards of data collection across providers, and the need for more and better understanding of the motivations and influences that shape body modification practices in the UK [1]. The research revealed a key ethical concern in the role played by a commercially driven industry in an era of social media and in a social context where there is evidence of increasing dissatisfaction and distress about the body and personal appearance. Of particular interest was its contribution to public health harms associated with poor body image, especially, but not only, amongst young people [1]. Edwards' anthropological perspective, and previous research findings in the three areas below, informed the agenda of the WP [A]:
Kinship and reproductive technologies: Edwards' longstanding anthropological expertise in kinship and reproductive technologies oriented the work of the WP on medical and quasi-medical interventions on the body. Her work on the embeddedness of individuals in kinship, class and community networks, honed through ethnographic studies in Britain, supported partly by a Wellcome Trust Fellowship (i), was central to understanding the uptake of cosmetic procedures across divides of social class, gender, race, ethnicity and sexuality in the UK [2, 3, 4].
Public understanding of biotechnology: Edwards convened and directed a multidisciplinary project with teams in six European countries, funded by the EU (ii) and the University of Manchester (iii). This research guided the WP’s attention to the ways in which people make sense of the possibilities of biotechnology and their trust or otherwise in medical practitioners. Findings from this research focused on changes in, and challenges to, the authority and ethics of (Western) scientific (including medical) knowledge, and how these changes and challenges shape ideas about what it means to be an ethical person and who gets to dictate what is legitimate and ‘proper’ in that regard. Edwards' ethnographic research has revealed the complex interactions between ‘expert’ and ‘lay’ understandings of medical technologies, undermining a simple distinction between them [2, 3].
Body modification and beauty: Edwards carried out a pilot study in Beirut in 2008 and 2009 on cosmetic surgery (iv). She found that assistive reproductive technologies (ARTs) were stigmatised and considered to be private interventions in family life, whereas cosmetic procedures were publicly celebrated and displayed as markers of 'proper', dignified and ethical persons. This research informed the WP’s work by broadening the bioethical concerns of the NCoB to explore the wider social, historical and cultural factors that shape the use of cosmetic procedures [4, 5, 6]. It also directed the WP's focus on issues of social class in the UK [4, 5, 6].
3. References to the research
Nuffield Council on Bioethics, (2017) “The ethics of cosmetic procedures.” Available from http://nuffieldbioethics.org/wp-content/uploads/Cosmetic-procedures-full-report.pdf
Edwards, J. & Salazar, C. (eds) (2009) European Kinship in the Age of Biotechnology, Oxford & New York: Berghahn Books.
Edwards, J. (2015) Donor conception and (dis)closure in the UK: siblingship, friendship and kinship. Sociologus: Journal for empirical anthropology 65:1, 101-122. https://www.jstor.org/stable/43645071?seq=1
Edwards, J. (2017) The politics of 'see-through' kinship. In E. Alber and T. Thelen (eds) Reconnecting Kinship and Politics: temporalities, scales, classifications. Philadelphia: Pennsylvania University Press.
Edwards, J. and Thomson, M. (2020) Provincializing the clitoris. In M. Jacob and A. Kirkland (eds) Research Handbook on Socio-Legal Studies of Medicine and Health. Cheltenham, UK and Northampton, MA, USA: Edward Elgar Publishing.
Edwards, J. (2021) Revisiting anthropology's awkward relationship: beauty, botox and ethics. In C. McCallum, S. Posocco and M. Fotta, The Cambridge Handbook for the Anthropology of Gender and Sexuality. Cambridge: Cambridge University Press. (Delayed due to Covid. We have a corroborating email from McCallum).
Relevant grants awarded:
Edwards, J., Senior Research Fellowship in the Public Understanding of Science, Wellcome Trust, (2000–2001), GBP51,213
Edwards, J. (PI and Director), ‘Public understanding of genetics: a cross cultural and ethnographic study of the ‘new genetics’ and social identity’, Quality of Life and Management of Living Resources. European Commission Fifth Framework Programme (contract QLG7-CT-2001-01668), (2002–2006), GBP1,293,328
Edwards, J. (PI), Vice Chancellor Grant (UoM) to support [ii] (2005), GBP30,000
Edwards, J. (PI), pilot study on ‘Religion and Human Biotechnology in the Lebanon’, Council for British Research in the Levant (CBRL), (2008–2009), GBP6,000
4. Details of the impact
Impact from the research conducted by the NCoB WP and chaired by Edwards [1] has been achieved cumulatively, through diverse channels, and through ongoing collaboration between Edwards and the NCoB. The NCoB report [1] makes 27 recommendations, focussing on both the ‘demand’ and ‘supply’ sides of the cosmetic industry [A]. The recommendations include calls to restrict access to certain procedures to over-18s, for the Royal College of Surgeons and other professional bodies to ensure the certification and necessary training of surgeons, and for the Department for Education to ensure young people have access to evidence-based resources on body image [1]. The research has led to impact in the following three ways:
4.1 Raising public awareness of the health risks of an unregulated cosmetic surgery industry and the need for better regulation of providers, premises and products.
The report [1] was widely publicised on launch in 2017, achieving extensive media coverage, including articles in the Independent, Huffington Post, the Mirror, the Guardian and the Telegraph [B]. Katharine Wright, Assistant Director of the NCoB, explains that “ Jeanette was heavily involved in the media at the time of the launch (including both Radio 4 and regional radio interviews)” [A] , e.g. BBC TV Six O’ Clock News; BBC Radio Manchester; BBC Radio 4’s Today; BBC Radio 5 Live; Radio London and Radio Scotland [B]. International coverage included an interview on BBC World Service’s Health Check, and on BBC World Service TV [B]. The report’s recommendation that social media sites investigate and remove cosmetic surgery apps and makeover games aimed at children was reported by the Guardian, citing Edwards. In 2018, journalist Sonia Sodha wrote a Guardian article critical of the decision of Superdrug to offer botox and dermal fillers in selected high street stores [B]. Sodha confirmed that she had used the NCoB report extensively in writing the article, finding it “very helpful and informative” [C].
Actress and playwright Monica Dolan contacted Edwards after becoming aware of the report in the press. Dolan has drawn on the findings in public discussions of The B*easts, a play about children and cosmetic surgery (which won an award at the 2017 Edinburgh Festival). Representatives of the NCoB participated in a public panel discussion on these issues after a performance of the play at the Bush Theatre, London (where it ran in February and March 2018). Dolan writes that the “report informed the discussion around [the play] …taking it further by inciting Q and As about the interface between the play and the reality out there. It gave the play more credence and certainly helped me to talk about it publicly in a much more informed way” [D] .
Gary Ross, Consultant Plastic Reconstructive and Aesthetic Surgeon, states that there are limits to regulation given plastic surgery is predominately in the private health sector [E]. Of great importance therefore “ is the cultivation of a discerning and educated public who, for example, are aware of good and ethical practice…The work of the NCoB on cosmetic procedures guided by Edwards will continue in the coming years to be valuable in raising public understanding and awareness” [E] .
4.2 Supporting professional bodies in shaping best practice and training
The research has raised awareness amongst practitioners and professionals of the broader social and cultural context that makes cosmetic procedures desirable, leading to improvements in practice and training in the UK. The report featured in outlets aimed specifically at health professionals and was cited in many professional journals [F]. The British Medical Journal published a two-page feature entitled ‘Cosmetic industry regulation is only skin deep’, and a piece appeared on doctors.net.uk (read by 51,000 GMC-accredited doctors per day; subscription-only) [F]. An article in the journal Aesthetics, highlighting links between social media and appearance anxiety, cited Edwards [F]. Drawing on the work of Edwards and the WP, the NCoB also contributed to numerous consultations, including: the Youth Select Committee inquiry on body image (June 2017); the Consultation on Draft Standards, issued in 2017 by the Cosmetic Procedures Standards Authority; the Science and Technology Committee inquiry on the impact of social media and screen-use on young people’s health (March 2018); and the Information Commissioner’s Office consultation on its draft code of practice for age-appropriate design for online services (May 2019) (see [A, H] for full list of consultation contributions).
Following the launch of the report, the NCoB hosted a meeting with Lord Lansley (who has a private member’s bill on the regulation of cosmetic surgery), the Royal College of Surgeons (RCS), the General Medical Council (GMC), and major commercial providers of cosmetic surgery [A] to discuss how to implement the WP’s recommendation that the RCS require all members who practise cosmetic surgery to participate in its certification scheme and have access to appropriate training [1]. Gary Ross, the first surgeon to be certified by the RCS, outlines how “ the GMC has acknowledged the NCoB report in 2017 in its recommendations for a more robust regulatory framework to ensure patient safety and to protect patients against many of the risks from cosmetic procedures” [E]. He explains that, since the report, there has been an increase in the number of cosmetic surgeons applying to the RCS for certification; an increased awareness of the need to assess social and psychological presentation of patients/clients prior to surgery; and a much broader agreement that cosmetic surgery should not be offered to under-18s, unless there are good medical reasons [E].
In February 2019, drawing on findings and recommendations in the NCoB report, (the WP recommended collaborative work amongst social media companies [1]), the NHS Medical Director, Stephen Powis, called for social media companies to ban celebrity ads targeted at children [I]. In July 2019, the Secretary of State for Health and Social Care announced a new partnership between the Samaritans and Facebook, Instagram, Pinterest, Google, YouTube, and Twitter to investigate the health impact of social media on young people [G].
The recommendations of the WP were also cited in the design of the Masters programme in Skin Ageing and Aesthetic Medicine (Faculty of Biology, Medicine and Health, University of Manchester), as defining best practice standards in the ethics of providing cosmetic procedures to patients/clients. The MSc Programme Director, has since been working with the NCoB on developing resources that use key findings of the report [G]. Graham states, “ we have been expanding the teaching materials around the ethical issues surrounding cosmetic procedures. We identified the 2017 Nuffield Council on Bioethics report (Cosmetic procedures: ethical issues) as an invaluable resource” [J].
4.3 Shaping the development of proposals for new legislation
The research findings have also helped shape the developments of proposals for new legislation by informing parliamentarians about implementing age restrictions on access to cosmetic procedures, and the role of social media in promoting cosmetic procedures and the adverse impact of such promotional activities on body image and mental health, especially amongst young people.
The Botulinum Toxin and Cosmetic Fillers (Children) Bill 2019-20 was introduced by Laura Trott MP following a Private Members’ Bills Ballot on 9 January 2020. In the lead-up to the bill, the NCoB report was cited in numerous parliamentary debates. In 2017, the then Parliamentary Under Secretary of State (Mental Health, Inequalities and Suicide Prevention) Jackie Doyle-Price MP invited NCoB staff to discuss priorities for meeting the Conservative Party manifesto commitment to improve regulation of those providing cosmetic procedures. During a Westminster Hall Debate in May 2019 she committed to bringing forward legislation to ban under-18s from accessing cosmetic procedures, in line with current age limits on tattoos and sunbeds, a key recommendation of the report [I]. During the debate, Alberto Costa MP stated that the NCoB “recommended that children under 18 should not be able to have these procedures unless there was an overriding medical reason for them to do so” [G].
A parliamentary question tabled by Clive Lewis MP in September 2017 asked the Minister of State for Health, Philip Dunne, if his Department would implement the recommendations of the NCoB report. In response, Dunne described the report as “ thorough and thoughtful” and said it “ will help to inform our thinking” about “ the effective registration and regulation of those performing cosmetic interventions” [H] . Bambos Charalambous MP sought the NCoB’s support in submitting parliamentary questions on the regulation of cosmetic procedures, and in introducing a debate on this issue [A]. There was also a written parliamentary question in the House of Lords, in November 2017, from Baroness Gould, on the report’s recommendation that the Home Office should clarify the marketing of ‘female genital cosmetic surgery’. She asked what plans the Government have “to issue guidance … clarifying the circumstances under which procedures marketed as "female genital cosmetic surgery" may be necessary for a woman’s physical or mental health and therefore not banned under the Female Genital Mutilation Act 2003” [H].
5. Sources to corroborate the impact
Letter from Katharine Wright, NCoB’s Assistant Director, 15th March 2018
Report of coverage in mainstream media
Email correspondence with Sonia Sodha, journalist, 28th August 2018
Email correspondence with Monica Dolan, playwright, 22nd September 2020
Letter from Gary Ross, Consultant Plastic Reconstructive and Aesthetic Surgeon, member of BAPRAS and accredited on the GMC’s register of plastic surgeons, 28th August 2020
Report of citations in professional-focused outlets. E.g. BMJ, Lancet, Journal of Aesthetic Nursing, International Journal of Women’s Dermatology, Journal of Practical Ethics
Note from Kate Harvey, NCoB's Senior Research Officer, August 2020
NCoB report “Cosmetic procedures: ethical issues. One year on” (2018)
Powis quote: https://www.england.nhs.uk/2019/02/top-doctor-calls-for-ban-on-damaging-and-misleading-celebrity-social-media-ads/; Doyle-Price quote: https://www.nuffieldbioethics.org/news/government-acts-nuffield-council-recommendation-ban-18s-accessing
Letter from the Academic Programme Director for the Skin Ageing and Aesthetic Medicine Masters Programme at the University of Manchester, 14th September 2020.
- Submitting institution
- The University of Manchester
- Unit of assessment
- 22 - Anthropology and Development Studies : B - Social Anthropology
- Summary impact type
- Societal
- Is this case study continued from a case study submitted in 2014?
- No
1. Summary of the impact
Sykes’s research underpinned the decision by the Catholic Diocese of Cairns, Australia, to establish a drop-in centre in 2015 in this seaport city, which is a hub for large multi- residential Papua New Guinean (PNG) households. Sykes described how households comprise a mutually dependent network spread across Australian and Papua New Guinean towns and villages, including cities in southeast Asia. Members move easily between several dwellings over the course of a year, but become vulnerable upon leaving their network.
A proposal by priest [Text removed for publication] to the Diocese used Sykes’s data to advise that a centrally-located shopping mall near his church could be the location for a family centre to meet social needs, enhance wellbeing, and build the PNG community by linking together numerous household networks. The resultant Papua New Guinean Catholic Centre (PNGCC) is addressing these fundamental goals by providing members of PNG households with an essential point of contact for meeting and message-carrying.
2. Underpinning research
Sykes carried out ESRC-funded ethnographic research into Papua New Guinean households in Far North Queensland (FNQ) and North Queensland (NQ) [1]. The research was undertaken January–December 2012 and October–December 2014, in the wake of a moral panic about the flood of Papua New Guinean economic migrants into Queensland. The study allowed her and her two local PNG research assistants to better assess the distribution and the habits of residence and association of Papua New Guineans in Queensland state. The study clarified confusing 2011 census data, which recorded 25,000 PNG-born residents in Australia, of which 15,000 resided in Queensland, with many of these in the FNQ and NQ regions of the State. The census did not yield more exact region-level figures and warned against making inferences from the published data. Sykes and her RAs found that the census office cautioned wisely. Despite the census data for numbers of Papua New Guineans in Queensland, accurate figures are hard to determine by conventional census methods. Sykes’s ethnographic moral economy approach showed that the population of a large network of PNG people in FNQ and NQ might swell from 5000 to 8000, were all the transnational household members to be present in those two regions during one month, and not in residences they possess in PNG, southern Queensland, other Australian States, or Manila, Singapore and New Zealand.
Sykes’s research [2] discusses the failure of the conceptual apparatus of standard political economy approaches to accurately identify the number of Papua New Guineans living in Australia. The 2011 census data recorded PNG ancestry by birthplace of parent or grandparent, which might include in the census data many ‘white settlers’ who had chosen to move to Australia before PNG Independence in 1975, after residing more than one generation in PNG. Furthermore, Sykes’s critical assessment of the usual measures of the PNG population, such as data derived from the property register, as well as school and health registers, exposed the inadequacy of these indicators for capturing the reticulating mode of settlement that typifies PNG households, with multiple residences in Queensland and PNG.
Sykes and her RAs (Nalisa Neuendorf and Vincent Backhaus) collected an ethnographic record of the moral economy of the PNG presence from accounts of life in 60+ households and histories of household composition and settlement over three generations. Extended case studies, ethnographic interviews in family kitchens, qualitative surveys, and social network maps revealed a reticular migration pattern over two generations. Ethnography allowed Sykes to show that PNG identity was determined by a moral economy of people’s habits of association, rather than by measures of ancestral descent and property ownership. Data on the use of money and household provisioning evidenced the supportive linkages across many residences, revealing the character of the multi-residence PNG household and its habit of connecting members across great distances in the Asia Pacific region. Families mobilise multiple residences in Australia and PNG to act as one transnational household to provide care for aged parents over the course of a year and to support education for children from the village. In Queensland, PNG people disperse themselves as homeowners, choosing to settle at distance from other PNG people and not cluster together in one neighbourhood, yet they encounter each other in farmers’ markets, at church gatherings, at their children’s school and sporting events, and in the comfort of air-conditioned shopping malls. Therefore, Sykes defined the PNG household broadly (mixed race, loose and changing membership, multi-residential) and made visible the scale of the community created by their interactions and transactions over both great distances and protracted times. The discussion of this domestic moral economy is published in a book chapter [2] and a series of journal articles [3, 4, 5]. Project RA, Nalisa Neuendorf co-authored an article in GeoForum [6].
The findings of Sykes and her RAs suggested that access to the PNG population in Queensland would be more successful if government services, church officers, and businesses contacted any of the numerous women who are well connected within the multi-residential transnational households, than if they tried to contact (non-existent) neighbourhoods, settlements, or enclaves of Papua New Guineans. These women carried news of comings and goings of people in different households, and thereby moved individuals to seek each other out while they were in the same town. The permanence of the Papua New Guinean Catholic Centre (PNGCC), directed by a committee of PNG women, created a reliable point of contact for the community by facilitating and even intensifying this kind of message carrying. It has become a vehicle to support PNG people in building community and supporting their mutual well-being.
3. References to the research
[1] Grant: “The Domestic Moral Economy”. Karen Sykes PI; Chris Gregory Co-I, Fiona Magowan Co-I. ESRC Standard grant, 1 October 2011–31 March 2015, GBP295,000 + GBP78,000 (for 2 x Doctoral Studentships) https://gtr.ukri.org/projects?ref=ES%2FH034943%2F1
[2] Sykes, K. (2018) The Moral Economy of the PNG Household: Solidarity and Estrangement amongst Transnational Papua New Guinean Households. In The Quest for the Good Life in Precarious Times in the Asia-Pacific Region (ed.) C.A. Gregory, ANU Press. (Open Access http://doi.org/10.22459/QGLPT.03.2018)
[3] Sykes, K.M. (2013). Mortgaging the Bridewealth: Problems with Brothers and Problems with Value. HAU: Journal of Ethnographic Theory, 3(2), pp. 97-117. https://www.journals.uchicago.edu/doi/10.14318/hau3.2.007
[4] Sykes, K.M. (2020), A Father's Perspective on Bridewealth in the Making of the Transnational Papua New Guinean Household. Oceania. DOI: 10.1002/ocea.5283
[5] Sykes, K.M. and C. Jourdan, eds. (2020) Bridewealth and the Autonomy of Women in Melanesia. Special Issue, Oceania, Vol 90, no 3. https://doi.org/10.1002/ocea.5227
[6] Henry, R., Wood, M., Neuendorf, N. and Brooksbank, J. (2020) Planning for Later Life: Transnational and Inter-generational Care among Papua New Guineans in Australia. Geoforum, 112, pp. 24-30, DOI: 10.1016/j.geoforum.2020.03.017.
4. Details of the impact
Sykes’s research into PNG household composition led to the founding of the PNGCC in Cairns, the largest city in the northern regions of Queensland. PNG families do not form an enclave or neighbourhood in Cairns. Instead their residences are widely spread throughout the small towns of the city’s hinterlands. They do not connect by internet in this region where broadband provision is weak, but it is common to meet with other families while shopping in the city. The PNGCC is located in Raintrees Shopping Centre with its affordable shops and medical and dental services. It is a short drive to the government offices of Cairns and very near to St Francis Xavier’s Church where news of the Centre’s activities is shared through the Catholic community and PNGCC directors use the church office facilities to support their work.
Sykes’s research into the wide dispersal of PNG residences was used first to draft a policy for PNG people written by [Text removed for publication], whose ardent interest in the well-being of the Papua New Guineans in Australia shaped his work as a Diocesan priest at St Francis Xavier’s Church. When he relocated from PNG to Australia, he sought support from his Bishop for the large mobile community of unknown numbers of PNGs, now on his doorstep in the north of Queensland. The Diocese of Cairns chose to support the proposal and open a PNG community centre.
Pathways to Impact
Development of the proposal for a PNG Catholic Centre
Sykes shared key research findings over three public presentations in 2014, all to larger groups of PNG men and women who were members of different churches in the area (Catholic, Seventh-Day Adventist, United-Methodist, and Salvation Army). These presentations addressed: a meeting of 30 PNG women who represented various social groups in the region (including popular clubs and sports); a meeting of 8 church leaders working with PNG families; and a meeting of 60 PNG women and men from the wider PNG community. In these meetings, Sykes discussed PNG transnational households and their multi-residential composition across Australia and PNG, and sometimes into the South Pacific, southeast Asia, Europe and North America. She highlighted the ways that people moved between the households, and the urban lifestyle of Cairns and Australia more widely, which created the need for a strong PNG community beyond the immediate family unit.
Additional meetings were held in 2014 to discuss Sykes’s findings in more detail, with aged care providers and several local government civil servants who knew the challenges facing the most vulnerable PNG people, such as the PNG widows of white Australian men who lacked support from their husband’s family and friends, and had only weak or no connections with members of other PNG families. These PNG individuals might ‘fall through the cracks’ between PNG households, and be overlooked by organizations that typically support mostly elderly white Australian women. Sykes’s research created the opportunity to speak about the issues raised by her research more generally and recognise the need for preliminary reports pertaining to the problem of care for the aged. During late 2014, Sykes held three one-to-one meetings with [Text removed for publication] in order to discuss her research findings in more depth. He used these discussions to develop his proposal to the Diocese of Cairns for a PNG Centre. The [Text removed for publication], states that ‘ together [Sykes and [Text removed for publication] ] recognized that the research evidence pointed to a need for a PNG Centre to draw people into a community’ [A] in order to support the wellbeing of all members.
Impact
Opening of the PNG Catholic Centre
The Centre was envisaged as a meeting point for all PNGs in the region. The Diocese’s support included:
Allocating a portion of [Text removed for publication] time to assist the PNGCC Director.
Dedicating office space and administrative support at St Francis Xavier’s Church to support the Centre; and funding the refurbishment of the physical space at Raintrees shopping mall.
Making a formal commitment to the saying of a ‘PNG’ mass once a month to strengthen the spiritual community. The mass is said in Tok Pisin (one of PNG’s three official languages) and is attended regularly by 150–200 people in St Francis Xavier’s Church.
Continuing impact of the Centre for the PNG population
The significance of the Centre is felt today in the role it plays as a physical space bringing PNG families into a community of mutual support. [Text removed for publication] describes the vision of the PNGCC ‘ to help the PNG community more broadly, simply by providing a space to meet for all Papua New Guineans. The Centre supports families who might attend regular events, and other Papua New Guineans who might simply drop in for a friendly chat’ [A]. This significance can be evidenced in various ways:
Daily community events hosted by the Centre: Arts and Crafts Groups; PNG Music Groups, PNG Mother’s Group, as well as groups that offer spiritual community (such as Friday rosary). [Text removed for publication] notes that regular attendance is upwards of 40 people in some of these events, but they also welcome drop-in guests. Although the Centre does not keep a formal membership, its Facebook website is followed by 690 members of the community, and is used to share details of events, community discussions, videos and photos [B].
The reach of the PNGCC is extended by the work of Centacare, the Social Services agency of the Catholic Diocese of Cairns, whose communications between other service providers and the wider network of PNG families support community building at a wider level [C].
For example, project RA Nalisa Neuendorf [F] used the PNGCC to organise a 2018 workshop for the Centacare programme, ‘Our Place’, because it is the only space dedicated to hosting regular PNG community meetings. Neuendorf returns regularly to help out at the Centre, and to support what is now a successful community-building programme [C].
The casual style of the PNGCC [B] helps to solidify the PNG families into a community of mutual support. The Centre welcomes anyone that drops by, offering them informal casual conversations and referrals. For example, widowed PNG women began to drop into the Centre for companionship in the different mid-week groups, often on recommendation of funeral directors and health care professionals and workers who knew they needed friends.
The PNGCC nurtures general wellbeing in all these ways. In their work, the Centre’s leaders focus on key issues for sustaining, supporting and building community.
Capacity building
Sykes’s research enhanced the capacities of the community to research its own interests. Each of the two Research Assistants in Cairns completed doctorates and found employment in research and higher education. While working with Sykes, the Research Assistants learned techniques for mapping social networks, as well as interviewing skills. Later they were both re-employed on an ARC grant to study ageing amongst PNG expats in Australia [D]. Vincent Backhaus turned to questions of second-generation migrant socialisation and education, and completed his PhD at the University of Cambridge. He now heads the Centre for Indigenous Education at James Cook University (JCU), having first established a programme to facilitate retention of second generation Indigenous and Pacific Islander students in secondary education [E]. Nalisa Neuendorf received her PhD (JCU, 2020) with Sykes as an external supervisor, becoming the second PNG woman to complete a PhD in Anthropology [F]. Neuendorf worked in the community services sector throughout the project and facilitated community-building workshops for Centacare in Cairns. She is now employed as a researcher at the PNG International Medical Research Institute in Goroka, conducting projects on community-based responses to domestic violence as a health crisis.
5. Sources to corroborate the impact
[A] [Text removed for publication]
[B] Facebook website for the Papua New Guinean Catholic Centre https://www.facebook.com/CairnsPngCatholicCommunity/
[C] [Text removed for publication]
[D] ARC Discovery Grant, 2014–19. Planning for later life: An ethnographic analysis of ageing among Transnational Papua New Guineans. Australian Research Council (grant DP140100178). See output [6] in section 3, above.
[E] Vincent Backhaus: https://orcid.org/0000-0002-3376-8089
[F] Nalisa Neuendorf: https://orcid.org/0000-0001-5104-890X