Impact case study database

The creation of the THN enables Yorkshire’s communities to benefit from greater knowledge and understanding of their heritage in relation to Hughes, and has strengthened Yorkshire-based organisations delivering cultural provision through the development of collaborations that have increased their collective capacity to deliver high quality cultural experiences within their communities.

The THN under the leadership of Ely and Underwood formalised these collaborations by establishing a consortium of organisations called the ‘Discovering Ted Hughes’s Yorkshire’ Consortium. This consortium has enabled us to maximise the impact of our research. As the Consortium’s work has developed and as organisations have seen its potential, it has grown in size. The main stakeholders represented are: Calderdale Metropolitan Borough Council (CMBC): population 210,000; Doncaster Metropolitan Borough Council (DMBC) and Doncaster Culture and Leisure Trust (DLCT): population 302,000; Hebden Royd Town Council (HRTC): population 10,000; Patrington Parish Council (PCC): population 2,000; The Elmet Trust (ET): Mytholmroyd-based charity which promotes Hughes’s work and preserves his birthplace; **The Ted Hughes Project (South Yorkshire) (THP(SY)**): Mexborough-based community group which promotes Hughes’s work and creativity.

Through our leadership of this consortium, the THN has achieved these impacts:

Shaping stakeholders’ operations & facilitating collaboration

The THN has brought stakeholders together, enabling collaborative working and shaping how stakeholders operate. CMBC, HRTC, DMBC, and PCC have all identified the heritage of Hughes in their respective areas as a means of enhancing their tourism offer, stimulating the local economy, and enhancing the cultural experience of residents, the primary beneficiaries [5.1, 5.2, 5.3, 5.4, 5.5]. The Tourism Officer of CMBC views the project as an important contribution to the Council’s mission to be ‘The Best Borough in the North’ [5.1], whilst the mayor of Hebden Royd has identified Hughes-focused activities as a means to ‘enrich our cultural offer and contribute to economic regeneration in Mytholmroyd, an area very badly affected by catastrophic floods in 2015’ [5.3]. The Chief Executive of Doncaster Culture and Leisure Trust (DLCT) sees the collaborative activities of the THN as meeting their organisational priority of, ‘shaping our offer so that it might provide opportunities for promoting mental and physical health by means of outdoor activity and by engaging with creativity’ [5.2]. The Treasurer & Membership Secretary of the Elmet Trust makes clear the importance of these partnerships: ‘Before the Ted Hughes Network was formed, there was a danger we would not be able to fulfil our charitable aims’; but now ‘because we are closely involved in bigger, more ambitious projects, we are in a significantly stronger position’ [5.5]. In short, the THN has positioned Hughes as integral to the leisure and culture operations of local authorities collectively representing several hundred thousand people.

Increasing knowledge and understanding of Hughes’s work and legacy

In their testimonials our Consortium partners comment on how their knowledge and understanding of Hughes’s work has been enhanced as a result of working with us. For example, the Treasurer & Membership Secretary of the Elmet Trust [5.5] describes how Ely’s ‘reliable’ and valuable’ research, especially ‘Hughes’s Yorkshire’ [3.1] and the ‘Parochial Courage of Ted Hughes’ [3.5], helped them challenge ‘misperceptions and myths’ and to articulate to local people the ‘positive impact’ West Yorkshire had on Hughes’s formation. The Chief Executive of Doncaster Culture and Leisure Trust, comments that Ely’s ‘The Importance of Edna Wholey to the Poetic Formation of Ted Hughes’ [3.2] and other research ‘alerted us to the importance of Hughes’s links with Crookhill (which we were not previously aware of)’, leading this Trust to reshape their plans for redeveloping the site to include a substantial Hughesian element. In East Yorkshire, awareness of Hughes’s links with Patrington was almost non-existent. Following Underwood’s public talk, 100% of attendees agreed or strongly agreed that the event was educational and that they learned something new about Hughes; only 3% did not feel that they had learned something new about their community [5.4]. The Creative Producer of the THP(SY) comments that Ely’s research has inspired ‘local people with the example of Hughes’s writing and the newly revealed knowledge of the importance of his South Yorkshire period’, this being, ‘the wedge required to open community receptivity to actively engaging more widely with poetry and the arts’ in the Mexborough area [5.6].

Developing stimuli to place-making, cultural tourism and the quality of the tourist experience

The increased knowledge and understanding referred to above has been the key to developing wider impact. To date, the major focus and work of the Ted Hughes Network, through the consortium, has been the development of a Yorkshire-wide Ted Hughes Literary & Heritage trails joined together under the banner ‘Discovering Ted Hughes’s Yorkshire’. Consortium members worked with Ely and Underwood to identify public footpaths and landscapes in their communities related to Hughes’s work and identified in Ely and Underwood’s research (2016-2017). Six maps, drawing directly from the underpinning research, featuring locations of Hughes’s life and works in West, South, and East Yorkshire, were designed by the Yorkshire cartographer Christopher Goddard [5.8]. The maps enable local people to connect to and explore their local areas through Hughes’s life and work. The ‘Discovering Ted Hughes’s Yorkshire’ maps enhance each area’s cultural offer and the potential to develop tourism. The Tourism Officer at Calderdale Council sees the trails as having the potential to contribute to its core aim to ‘grow the economy…by increasing tourist footfall in to the area and by contributing to place-making — helping to consolidate the brand of the Hebden Royd area as locus of art and creativity’. He also sees the trails as contributing ‘to participants’ mental and physical health and well-being through participation in creativity and walking in supportive group contexts’ [5.1], which has become increasingly important during the COVID lockdowns which have been nearly continuous in the region since March 2020.

On the basis of similar reasoning, Hebden Royd Town Council agreed to fund the three West Yorkshire maps and interpretive signage with two grants totalling £9,800 (2018, 2019). As a result, the THN commissioned the three trail maps, and worked with local charity CROWS (Community Rights of Way Service) to make physical improvements to the routes, enhancing accessibility and health and safety (2019) [5.10]. The planned public activities to launch these trails (scheduled for May, 2020) had to be postponed due to the COVID pandemic, but will include: expert guided walks, six community creative writing workshops, and six Hughes/trail-related workshops in local schools. The HRTC Mayor comments that Ely & Underwood’s research ‘underpins a collaboration’ that allows them to fulfil the Council’s aims of ‘being responsive to the needs of the community’ and ‘enhance the area to the benefit of all’. The Mayor anticipates that the programme, which is ready to commence when government guidance allows, ‘will attract literary and other tourists to Hebden Royd, consolidating the area’s reputation for being a hotbed of art and creativity and contributing to economic development.’ [5.3].

DCLT has funded the two South Yorkshire maps that draw directly on Ely’s research into the significance of Crookhill Park (currently a golf course) to Hughes’s formation [3.1]. They have made the decision to place Hughes and his links to Crookhill at the heart of the site’s redevelopment as a ‘Community Hub’ that will include restoration of the ‘Pike’ pond where Hughes fished as a teenager, and the setting of his seminal poem ‘Pike. In the spring of 2020 DCLT began the process of clearing out and landscaping the neglected pond. DCLT also plans to develop a children’s Hughes Poetry Trail on this site and an education/performance space. DCLT Chief Executive comments that the project will develop Crookhill Park ‘as a cultural and leisure attraction capable of engaging a much wider and more diverse public,’ [5.2].

In October 2019, in Patrington, East Yorkshire, where Hughes completed National Service, Underwood presented the findings of his research into this little studied period of Hughes’s life. [3.5]. This event generated an interest in further engaging with Hughes’s work, including support for additional public events, and the design of a trail to celebrate the relationship with their community and the work of Hughes: one participant identified the need for ‘more local publicity about Hughes and his time spent here. As a local girl of 64 years, I was unaware of Hughes’s time here’. Another commented: ‘a trail is a brilliant idea and incorporating the natural theme prevalent throughout his [Hughes’s] work into the walk would be great’ [5.4]. Through this event and further discussion with Consortium members (see below), the PCC joined the Consortium and supported the commissioning, printing and distribution of the East Yorkshire trail map, based on Underwood’s research [3.5, 5.8].

The maps are available online. Post-Covid, printed copies will be placed in community venues including public libraries, community cafes and town halls/council offices. Copies will also be distributed to local schools. The Treasurer of CROWS has observed that even without the launch, ‘the routes have been used and enjoyed by several local walking groups who have appreciated the descriptions provided in the walk leaflets’ [maps] [5.10].

Engagement with under-engaged audiences leading to increased cultural participation

Ely has used his research on Hughes, creativity, collaboration and place [3.1 & 3.4] to inspire creativity and collaboration and to increase cultural participation in Mexborough, which has areas in the 10th percentile of the most economically deprived areas in the UK (UK Index of Multiple Deprivations). THP(SY) in partnership with the THN, has secured Arts Council and other funding of between £30,000 and £40,000 per annum in every year from 2016 to 2019, which they have used to develop an annual literary festival: The Ted Hughes Poetry Festival. This runs ambitious community and school creative writing programmes and develops a distinctive strain of ‘literature and landscape’ events. The THP(SY) Creative Producer remarks that ‘several thousand’ people have attended THP(SY) events over the last few years, to hear readings and attend workshops by internationally significant writers including, ‘Simon Armitage, Raymond Antrobus, Vahni Capildeo, Linton Kwesi Johnson, Zaffar Kunial, Andrew McMillan, Hollie McNeish, David Morley, Kim Moore and the rapper and performance artist Moor Mother’ [5.6]. THP(SY) has also established an imprint, ‘The Wild West Press’, rooted in Ely’s research into Hughes’s own small press work [3.4]. Its first publication in 2018, Zi-Zi Taah: The Song of the Willow Tit is a collaboration comprising poems by Ely and illustrations by the artist, ‘PR’. Zi-Zi Taah won a prestigious Michael Marks Award for PR’s artwork in December 2018, providing a significant boost not only for the press on its debut publication, but shining a welcome spotlight on PR, a young and emerging artist. The Wild West Press has also published One in, All in an anthology of new poetry, including work by emerging and established poets, including Ely, Mike Garry, Helen Mort, and Ian McMillan, giving a boost in profile to the emerging writers. The book was launched at a live-streamed, and socially distanced reading (50 in attendance) at the Crucible Theatre, Sheffield, as part of the Off-the-Shelf Festival of Books, on Friday 16th October.

Write on Mexborough (WoM), facilitated from 2015-2018 by Ely and the THN draws upon Ely’s research into the potential for Hughes’s poetry to inspire a creative response [3.4]. Funded by Heritage Lottery and other funders, the WoM each year ran 15-20 fortnightly workshops annually with 15-20 participants in each cohort. This programme has showcased the work of participants in anthologies, literary journals, performance, and other creative outlets. Two participants have since had volumes of poetry published: Karl Riordan’s The Tattooist's Chair (2017), and Mick Pettinger’s Just a kid from Cortonwood (2019).

Participants in the group (identified here by their first names) have experienced the group’s impact as transformational: former soldier Frank comments: ‘when I wrote my first poem, I couldn’t wait to read it out to people, and I’d never done that before’. Michael describes the lack of opportunity to engage with creative writing in Mexborough prior to the formation of the group. Paul notes how Ely had allowed group members to, ‘develop, find and discover their own creativity’ and that Hughes’s poetry ‘was like a flare, one of the main reasons I got into writing’. Angie points out the utility of the group as ‘therapy’ and described how her friends ‘could not believe how well she had come on’ during her time in the group. Barry was enthused by the way ‘people were getting involved’ and Lynne described the group as ‘an inspirational opportunity, encouraging everybody to put pen to paper. Just write what you feel!’. [5.7]. Another participant, who suffers from severe mental health issues told Ely that ‘This group has saved my life’. The current Creative Director of THP(SY) was originally one of the participants of Write on Mexborough. As a result of his participation, he was selected to take part in the 2017 British Council programme set in Germany: Writers by Nature as one of six young writers selected from across the UK. He is a current recipient of a Jerwood Bursary (2019). Write on Mexborough contributed directly to his professional success and to his ability to take on the role of Creative Director.

The development undergone by individuals involved in THP(SY) and its writing programme, WoM is evidence of the transformational nature of the impact of Ely’s research in the South Yorkshire region facilitated through the THN. The Creative Director of THP(SY) writes that THP(SY) has ‘generated a wide range of artistic, volunteering and leadership opportunities for local people’, noting that several members of THP(SY) have, ‘gone on to get new jobs or have otherwise developed their careers in the arts as a result of their experience volunteering for the THP(SY).’ He concludes by remarking that the THP(SY)’s success is ‘based on the hard work and talent of its volunteers, but that none of this would have been possible without Ely’s research and commitment’ [5.6].

The Brontë Stones Project, through the production of unique cultural artefacts, has achieved three key impacts:

1. Regeneration and preservation of ancient public right of ways.

2. Engaging marginalised and under-engaged audiences in increased creativity and cultural participation.

3. Developing stimuli to cultural tourism and contributing to the quality of the tourist experience.

In 2015 Michael Stewart approached the Arts Council for funding for the Brontë Stones Project. In their response it was suggested that this project could enhance the larger Bradford Literature Festival grant application for support for the 2017 and 2018 festivals. Stewart’s Brontë Stones Project was subsequently included in the Brontë Strand of this successful Arts Council Grant, receiving £28,000 from this funder. Other funding for the Brontë Stones project was secured from the University of Huddersfield (£1,500), Bradford County Council (£5,000), the Brontë Parsonage (£1,000), and Provident Financial Group (£6,000). Its launch was the largest event of the 2018 Bradford Literature Festival, drawing in an audience of over 300 [5.2; 5.4; 5.6; 5.7]

The project features the four Brontë Stones, placed along a route beginning at the Brontë Birthplace, Thornton, West Yorkshire and ending at the Brontë Parsonage, Haworth. The four stones celebrate the work and vision of the Brontë sisters as impacted by the landscape. Dr Stewart commissioned four original poems by recognised international writers: Carol Ann Duffy (Charlotte Stone), Jackie Kay (Anne Stone), Jeanette Winterson (Three Sisters Stone), and Kate Bush (Emily Stone) [5.1]. The remit he gave to these poets in 2016 was based on his own research findings that direct engagement with the landscape was a powerful stimulus to creativity. Dr. Stewart asked these writers to engage creatively with the work of the Brontës within the landscape. Bush commented that the stones, set ‘in the enigmatic landscape where they lived and worked is a striking idea’ [5.7, p. 6]. Jackie Kay commented she ‘found the experience of working on the Stones project inspiring’. Kay explained that the Brontë Stones project, ‘made me reimagine life for the Brontës and think of their relationship to the land …it seemed fitting then that hers [Anne’s] was the last stone to be put into the landscape!’ [5.8]

After the commissioned poetry was submitted, Michael Stewart, drawing on his research in the Brontë landscape, then worked alongside the engraver Pip Hall in 2017-2018, to choose the most suitable stones, design the typeface and layout, and to site the stones in the landscape. The placement took into consideration accessibility, and Stewart designed a series of four walks, in collaboration with the Yorkshire cartographer Christopher Goddard, to enable the public to access the Brontë Stones and experience the poetry within the dramatic setting of the Yorkshire countryside. The maps feature both text and pen and ink drawings, putting the Brontë Stones in the context of ancient landscape features. The stones, the poetry, the trails and the maps were produced in response to the research findings from the underpinning research: that the experienced landscape can be a catalyst for creative output and provide a unique understanding of the process of artistic creation. [5.1, 5.7].

Impact 1: Regeneration, preservation and access to ancient public right of ways.

The Brontë Stones trails utilise ancient public rights of way, identified by Stewart during his field research. Bradford City Councillor explains ‘Prior to the project, some of these pathways were overgrown and inaccessible, and some of the stiles and gates were in disrepair’. These paths are now restored and fully accessible to local, national and international users. [5.2]. This regeneration of ancient rights of way, enhanced through the placement of the Brontë Stones, ensures they will be maintained and thus available for public use, including in creative engagement in projects like the ‘ Brontë Stones and Bradford Communities’ (see Impact 2). The Brontë Stones are now a part of the nation’s cultural heritage. The director of the Bradford Literature Festival commented that ‘It’s a matter of great pride for us that the stones will stand in some of the most beautiful places in the county, bearing these moving, mysterious and playful literary works that the public can enjoy for years to come’ [5.7, p. 7]

Impact 2: Engaging marginalised and under-engaged audiences in increased creativity and cultural participation

The Brontë Stones trails have attracted participants from marginalised and under-engaged audiences. These trails border and at times traverse areas in the 10-25 percentile of the most economically deprived areas in the UK (UK Index of Multiple Deprivations). Stewart designed the Bronte Stones Writing Challenge: Bradford Schools Writing Project, drawing upon his research findings that direct personal experience in the landscape can provide a catalyst for the creative process enhancing confidence through cultural participation. In this project Stewart partnered with First Story, an organization that provides high-quality creative writing opportunities for young people in low-income communities. Brontë Parsonage staff were also involved. The project was originally conceived of as of a series of organized and guided walks on the Brontë Stones Trails, visits to the Brontë Parsonage and bespoke talks. All costs for participation were to be covered by the University of Huddersfield, including hiking equipment appropriate for the terrain, which was to be gifted to the student participants to encourage their continued engagement with the landscape. First Story participation was to be funded through the Arts Council and other funding and a well-known writer would be commissioned to work with the students on this project. The walks were to be followed up by writer / mentors working with the six schools to generate creative writing outputs. An orientation walk led by Michael Stewart and six teachers from the participating schools was completed, and the walks with the students and the follow up creative writing sessions were scheduled. At this point the U.K. was placed in lockdown by the Covid Pandemic and these planned activities could not be undertaken [5.3].

Instead the project was redesigned for virtual delivery. A film curating a walk along the Brontë Stones trail has been produced and additional drone footage of the stones and the surrounding landscape was made available on YouTube and Facebook [5.4]. These were used in place of the planned guided walks in the landscape. In December 2020, Twenty-five students from three Bradford area schools (University Academy Keithley, Co-op Academy Grange, Appleton Academy) produced poems inspired by the Brontë Stones, using the drone footage and the poetry inscribed on the stones. The renowned rapper and playwright Testament was commissioned to work with the students and provide mentorship. The resulting 25 poems were entered into a poetry contest, as part of the project [5.1, pp. 21-45]. Student responses were positive, for example: ‘I really enjoyed working on this project. It made me write in a different way’. ‘I learned so much about the Brontë Sisters. It made them feel more real’ [5.3]. Testament also created his own poem inspired by the Brontë Stones as part of the project which he performs in a short film. He describes the experience engaging with the Stones in the creation of poetry as ‘profound’. The experience also gave him fresh insight into the Brontë’s legacy. His poem powerfully depicts the ‘collision between the contemporary and the historical’ [5.1, p.9; 5.9]. His reading of this poem was viewed over 800 times on Facebook on the first day it was posted [5.3].

Visitors to the Brontë Stones Trail include those from ‘BAME backgrounds, and socially deprived parts of Bradford, [who] have, as a result of this project, accessed the landscape for the first time’ [5.2]. Bradford Council included the Brontë trails into their programme of twice monthly walks in order to involve the community in the health and wellbeing benefits of access to rural spaces [5.2]. Councillor Dunbar describes the way in which the Brontë Stones project has been important in delivering health benefits to the area: ‘inactivity levels cost the local authority on average £24 million per year. Practical, accessible and engaging solutions such as the Brontë Stones project play a real part in turning this around’ [5.2].

The placement of the Anne Stone in Parson’s Field, adjacent to the Brontë Parsonage was chosen to make the landscape accessible to people with restricted mobility. An easy access path, and a bench situated next to the Anne Stone, enables those with restricted mobility to enjoy Kay’s poem and the creative design of the stone, set within the dramatic landscape that inspired the Brontës. The Outreach and Partnership’s Officer at the Brontë Parsonage Museum explains, ‘We were keen to make the landscape accessible to those with mobility limitations, and this is why Michael and I took the decision to site the Anne Stone in Parson’s Field, which is accessible to wheelchair users. We have since seen an increase in under-engaged users’ [5.6].

The Covid pandemic has disproportionately affected the BAME communities in Bradford, Calderdale and West Yorkshire. The use of the trails has become a vital resource for these communities during the initial phase of lockdown in the U.K. in March 2020 and the subsequent imposition of restrictions in Bradford, Calderdale and West Yorkshire in July 2020, Tier 3 restrictions in October 2020 and the second Lockdown in November. The Director of the Bronte Birthplace in Thornton, where the Bronte Stones trail begins, writes that during the ‘Covid pandemic, we have seen an increase of visitors and walkers to the Bronte Stones. We estimate, so far, that over 6,000 people have engaged with the project’ [5.5]. The Brontë Stones project has also enabled those shielding or with mobility issues, or who cannot otherwise physically go into the landscape to enter the landscape of the Brontë’s virtually through a curated film and raw drone footage made available through YouTube [5.4]. These videos have been viewed over 11,000 times, from across the world [5.4]. The Brontë Stones documentary also premiered at ‘Brontë2020: A virtual event to support the Brontë Parsonage’, which attracted 250 participants globally. Indicative participant comments include; ‘Thanks to Michael Stewart for his film—I’m determined to walk the trail at some point. All very special’; ‘looking forward to doing the trail once I am able to get back to Haworth’. [5.4, p. 4]

Impact 3: Developing stimuli to local and international cultural tourism and contributing to the quality of the tourist experience.

The Brontë Stones Project has received national and international attention through mainstream and social media that has stimulated interest and tourism in the area [5.7]. Events using the Brontë Stones featured in the Bradford Literature Festival (BLF) programme in 2018, 2019, 2020 with a total of 75 participants, many international (25 places per year are offered for this event). These participants have commented positively on the impact of the project. On the BLF launch walk, one participant responded that she had ‘learned loads I didn’t know before – especially about Thornton and the five years the family spent there’. Another participant commented that ‘the walk was wonderful. I came from Atlantic City in the US. I learned quite a bit about Anne’. Pennine Prospects, in 2018 and 2019 included the walks on the four Brontë Stones trails, with 50 participants [5.4]. This was the first time this organization had programmed a Brontë themed walk. Common Ground Reading and Walking, USA, utilised the Brontë Stones in their programme in 2018, with 20 American participants walking the Brontë Stones trail lead by Stewart [5.4]. The Brontë Parsonage hosted a Brontë Stones walk with 25 participants in 2018, again led by Stewart. Stewart’s public lecture at Chapel Allerton Library, discussed the relationship between his novel Ill Will, and the development of the Brontë Stones Project, with 35 participants. He also gave the Walter Swan Lecture, Ilkley Literature Festival, 2019 which again explored this relationship between the novel and the Brontë Stones Project with 80 participants in attendance [5.4].

The project also seeks to engage individuals and groups of walkers through the distribution of the Brontë Stones trails maps. Over 5,000 maps have been sold in outlets across the region: The Parsonage Museum, Haworth; The Bookcase, Hebden Bridge; Book Corner, Halifax; The Brontë Birthplace, Thornton; Plenty Café, Thornton; Salt Mill Bookshop, Saltaire; Whitby Bookshop, Whitby. This indicates further engagement with the Brontë Stones trails and contributes to the local economy. The Outreach and Partnerships Officer at the Brontë Parsonage Museum, notes ‘The Brontë Stones project has generated interest in the landscape that is so unique to the area … [and has] presented me with programming opportunities.’ She further comments that ‘the Brontë Stones project has certainly captured the imagination of many visitors, both local and from overseas, and continues to enrich our museum activity’ [5.6]. The owner of the Brontë Birthplace, Mr Mark De Luca explains the Brontë Stones trails have ‘proved popular’ resulting in ‘a large increase in the number of walkers whom are new accessing the area’s rural spaces’ [5.5]. He says that the project has had a positive impact on the Birthplace, the ‘increase in both tourist numbers and visitors, revenue from map sales and the additional press and publicity regarding the project has seen positive financial benefits both directly to the birthplace and in-directly with the other surrounding businesses on Market Street and within the village’ [5.5].

The Brontë Stones project has brought widespread media attention to the area, promoting the Brontë Stones trails, the Brontë Birthplace, the Brontë Parsonage, and the Bradford Literature Festival. The launch of the Brontë Stones was widely reported in social media and in print. These include features in the Independent (18 March 2018); The Guardian (8 July 2018); The Telegraph (2018); The Times (26 April 2018); TLS (27 July 2018); and Historia Magazine (21 March 2018) [5.7]. Stewart was interviewed on BBC Countryfile (average audience 9 million) talking about the project; BBC Breakfast (average audience 6 million) discussing his novel , Ill Will and the Brontë Stones project (30 July 2018); and also appears in a French documentary called Kate Bush , La Sorcière du Son (September 2019 on ARTE Channel). The Brontë Stones are also featured in two forthcoming documentaries. Mark Radcliffe’s documentary on Kate Bush will feature the Emily Stone (airing early 2021). Gyles Brandreth’s Britain by Book will be broadcast in Spring, 2021 [5.4]. Both will include the drone footage commissioned by the Brontë Stones project and bring additional attention to the area. The Brontë Stones project has stimulated interest in the area both nationally and internationally, contributing to the development of public engagement projects that serve the local communities, encouraging local, national and international visitors to explore the West Yorkshire countryside more widely, and contributing positively to the economy of the region.