Parallel Lines: Post-9/11 American Cinema
- Submitting institution
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Queen Mary University of London
: B - Film
- Unit of assessment
- 33 - Music, Drama, Dance, Performing Arts, Film and Screen Studies : B - Film
- Output identifier
- 1548
- Type
- A - Authored book
- DOI
-
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- Publisher
- Wallflower Press
- ISBN
- 9780231172035
- Open access status
- -
- Month of publication
- October
- Year of publication
- 2014
- URL
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- Supplementary information
-
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- Request cross-referral to
- -
- Output has been delayed by COVID-19
- No
- COVID-19 affected output statement
- -
- Forensic science
- No
- Criminology
- No
- Interdisciplinary
- No
- Number of additional authors
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0
- Research group(s)
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-
- Proposed double-weighted
- Yes
- Double-weighted statement
- Parallel Lines(80,000 words)establishes a comprehensive account of film representations of 9/11, reveals how film comprised a key element of the immediate response to, and subsequent cultural and political settlement of,the experience of9/11. Each chapter tackles an important facet of post-9/11 American culture and its related critical theory and considers this in relation to a corpus of 30films. Appearing a decade after the terrorist attacks, with a considerable amount of scholarly material already published, the book takes stock of this scholarship to broker its own distinct and original position, leading one reviewer to claim this as the 'definitive statement' on post-9/11US-cinema.
- Reserve for an output with double weighting
- No
- Additional information
- -
- Author contribution statement
- -
- Non-English
- No
- English abstract
- -
