The Body and the Screen : female subjectivities in contemporary women's cinema
- Submitting institution
-
The University of Birmingham
- Unit of assessment
- 26 - Modern Languages and Linguistics
- Output identifier
- 26863597
- Type
- A - Authored book
- DOI
-
10.5040/9781501396519
- Publisher
- Bloomsbury
- ISBN
- 9781623562922
- Open access status
- -
- Month of publication
- January
- Year of publication
- 2017
- URL
-
-
- Supplementary information
-
-
- Request cross-referral to
- -
- Output has been delayed by COVID-19
- No
- COVID-19 affected output statement
- -
- Forensic science
- No
- Criminology
- No
- Interdisciplinary
- No
- Number of additional authors
-
0
- Research group(s)
-
-
- Proposed double-weighted
- Yes
- Double-weighted statement
- This book is a long-form output which demonstrates sustained research effort spanning three years (2013-2016). The research draws on a number of complex areas of thought from different periods and disciplinary fields, from which it forges an original theoretical synthesis that is then applied to eighteen important films from the 1990s and 2000s. It thus deals with an extended range of philosophical and filmic material, about which it offers sustained arguments.
- Reserve for an output with double weighting
- No
- Additional information
- The third chapter of this output, which accounts for some 12% of the wordcount of the whole book, contains material drawn from one journal article and one book chapter which were two items returned for Ince in REF2014. The journal article was 'Feminist phenomenology and the film-world of Agnès Varda', in Hypatia: a journal of feminist philosophy 28: 3, 602-617 (online 2012, print 2013), and the book chapter was 'Feminist phenomenology and the Films of Sally Potter', in Jean-Pierre Boulé and Ursula Tidd (eds), Existentialism and Contemporary Cinema: a Beauvoirean Perspective, Berghahn Books, 2012.
- Author contribution statement
- -
- Non-English
- No
- English abstract
- -
