Post-Cinematic Theatre and Performance
- Submitting institution
-
Aberystwyth University / Prifysgol Aberystwyth
- Unit of assessment
- 33 - Music, Drama, Dance, Performing Arts, Film and Screen Studies
- Output identifier
- 9951449
- Type
- A - Authored book
- DOI
-
10.1057/9781137375490
- Publisher
- Springer Nature
- ISBN
- 9781137375483
- Open access status
- -
- Month of publication
- October
- Year of publication
- 2014
- URL
-
-
- Supplementary information
-
-
- Request cross-referral to
- -
- Output has been delayed by COVID-19
- No
- COVID-19 affected output statement
- -
- Forensic science
- No
- Criminology
- No
- Interdisciplinary
- No
- Number of additional authors
-
0
- Research group(s)
-
-
- Proposed double-weighted
- Yes
- Double-weighted statement
- This monograph is a result of eight years of research into the field of post-cinematic theatre and performance. The project analysed and investigated nine in-depth case studies in order to define this field, and to coin the term ‘post-cinematic’ within performance studies. For that purpose, a substantial critical theoretical framework was developed based on theories by Jean-Françoise Lyotard, Emmanuel Lévinas, Gilles Deleuze, Jacques Rancière and Jacques Derrida. This poststructuralist approach was then supplemented with postdramatic theory, intermedial theory, film theory, post theory and psychoanalysis. The theoretical complexity and mixed methodology employed in the project was exceptionally demanding.
- Reserve for an output with double weighting
- No
- Additional information
- -
- Author contribution statement
- -
- Non-English
- No
- English abstract
- -
