Empirically testing Tonnetz, voice-leading, and spectral models of perceived triadic distance
- Submitting institution
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The Open University
- Unit of assessment
- 11 - Computer Science and Informatics
- Output identifier
- 1452724
- Type
- D - Journal article
- DOI
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10.1080/17459737.2016.1152517
- Title of journal
- Journal of Mathematics and Music
- Article number
- -
- First page
- 59
- Volume
- 10
- Issue
- 1
- ISSN
- 1745-9737
- Open access status
- Out of scope for open access requirements
- Month of publication
- April
- Year of publication
- 2016
- URL
-
-
- Supplementary information
-
-
- Request cross-referral to
- -
- Output has been delayed by COVID-19
- No
- COVID-19 affected output statement
- -
- Forensic science
- No
- Criminology
- No
- Interdisciplinary
- No
- Number of additional authors
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1
- Research group(s)
-
-
- Citation count
- 4
- Proposed double-weighted
- No
- Reserve for an output with double weighting
- No
- Additional information
- The paper presents a model (with all its code and data freely available for download) that constitutes the best current evidence of harmonicity perception as the primary mechanism in simultaneous consonance. Harrison and Pearce (2018a) noted that this approach models "judgements of triadic similarity rather effectively" and borrowed the model configuration for experiments in 2018b and 2020. This study has been used as a benchmark in diverse musical contexts, including post-tonal (Bisesi, 2017) melodic memory (Herff, 2017) and cognitive model comparison (Lieke et al, 2020). Harrison and Pearce (2018a, b) described the model configuration as "psychologically optimised".
- Author contribution statement
- -
- Non-English
- No
- English abstract
- -