Nadia Boulanger and Her World
- Submitting institution
-
University of Southampton
- Unit of assessment
- 33 - Music, Drama, Dance, Performing Arts, Film and Screen Studies
- Output identifier
- 53971811
- Type
- B - Edited book
- DOI
-
-
- Publisher
- University of Chicago Press
- ISBN
- 9780226750712
- Open access status
- -
- Month of publication
- November
- Year of publication
- 2020
- URL
-
-
- Supplementary information
-
-
- Request cross-referral to
- -
- Output has been delayed by COVID-19
- No
- COVID-19 affected output statement
- -
- Forensic science
- No
- Criminology
- No
- Interdisciplinary
- No
- Number of additional authors
-
7
- Research group(s)
-
-
- Proposed double-weighted
- No
- Reserve for an output with double weighting
- No
- Additional information
- Brooks was the sole editor for this collection, shaping the research questions, commissioning authors, selecting all primary documents edited for “documentary interludes” between chapters, and editing all contributions. She is the sole author of the preface, “The Only Woman in the Picture,” (pp. vii-xiii) and of one chapter, “Modern French Music: Translating Fauré in America, 1925-1945;” (pp. 182-221) she co-authored one further chapter, “Serious Ambitions: Nadia Boulanger and the Composition of La ville morte” (pp. 19-53) with Kimberly Francis. She also translated, edited and introduced Boulanger’s 1925 letters to her mother (“’What an Arrival!’: Nadia Boulanger’s New World”, pp. 145-181 ) and wrote the introduction to newly-discovered poems by May Sarton (“For Nadia Boulanger: Five Poems by May Sarton”, pp. 222-28).
- Author contribution statement
- -
- Non-English
- No
- English abstract
- -