The Late Films of Claude Chabrol: Genre, Visual Expressionism and Narrational Ambiguity
- Submitting institution
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Royal Holloway and Bedford New College
- Unit of assessment
- 34 - Communication, Cultural and Media Studies, Library and Information Management
- Output identifier
- 31375687
- Type
- A - Authored book
- DOI
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10.5040/9781501312526
- Publisher
- Bloomsbury Academic
- ISBN
- 9781501312496
- Open access status
- -
- Month of publication
- October
- Year of publication
- 2017
- URL
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- Supplementary information
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- Request cross-referral to
- -
- Output has been delayed by COVID-19
- No
- COVID-19 affected output statement
- -
- Forensic science
- No
- Criminology
- No
- Interdisciplinary
- No
- Number of additional authors
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0
- Research group(s)
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-
- Proposed double-weighted
- Yes
- Double-weighted statement
- The book is 80,000 words long and the culmination of five years of research and writing that included two sabbatical terms. Consisting of an Introduction and nine chapters on Chabrol’s last films, the book develops a complex critical and historical framework for an understanding of the director’s work and provides an extended, in-depth analysis of the individual films. These pull together a range of material and arguments that provide new perspectives on the films and the literature on French cinema more generally.
- Reserve for an output with double weighting
- No
- Additional information
- -
- Author contribution statement
- -
- Non-English
- No
- English abstract
- -
