The Form of Poetry in the 1820s and 1830s: A Period of Doubt
- Submitting institution
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University of Northumbria at Newcastle
- Unit of assessment
- 27 - English Language and Literature
- Output identifier
- 23564048
- Type
- A - Authored book
- DOI
-
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- Publisher
- Palgrave
- ISBN
- 978-3-319-70511-8
- Open access status
- -
- Month of publication
- -
- Year of publication
- 2018
- URL
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- Supplementary information
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- Request cross-referral to
- -
- Output has been delayed by COVID-19
- No
- COVID-19 affected output statement
- -
- Forensic science
- No
- Criminology
- No
- Interdisciplinary
- No
- Number of additional authors
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0
- Research group(s)
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-
- Proposed double-weighted
- Yes
- Double-weighted statement
- This book is the result of more than a decade of data collection in two principal areas. First, it presents evidence in the form of book production statistics gathered from publishers’ records and analysis of 56 separate periodicals, annuals, and anthologies to overturn the critical commonplace that the poetry market collapsed in the 1820s and 1830s. Second, it examines a very wide range of poets and publication formats in this period, discussing the work of 51 poets in detail, many unearthed in literary annuals and periodicals. This large body of material necessitated a monograph of over 100,000 words.
- Reserve for an output with double weighting
- No
- Additional information
- Chapter 6 ‘“The Proper Pathetic Face”: Hunt, Reynolds, Hood, Praed’ contains a 3400-word section on Leigh Hunt that includes three paragraphs (ca. 1200 words) that draw on ‘Leigh Hunt’s Accidental Poetry’ in Essays in Criticism 62.1 (2012). These close readings of Hunt poems have been considerably adapted and recontextualised with the other material in the section and through their relationship to the arguments and concerns of the monograph as a whole
- Author contribution statement
- -
- Non-English
- No
- English abstract
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