Modern War and Aesthetic Mobilisation: Looking at Europe in 1914
- Submitting institution
-
Norwich University of the Arts
- Unit of assessment
- 32 - Art and Design: History, Practice and Theory
- Output identifier
- NUA-AM-01
- Type
- D - Journal article
- DOI
-
-
- Title of journal
- British Journal for Military History
- Article number
- -
- First page
- 12-41
- Volume
- 20
- Issue
- 2
- ISSN
- 2057-0422
- Open access status
- Compliant
- Month of publication
- February
- Year of publication
- 2016
- URL
-
https://nua.repository.guildhe.ac.uk/id/eprint/9166/
- Supplementary information
-
-
- Request cross-referral to
- -
- Output has been delayed by COVID-19
- No
- COVID-19 affected output statement
- -
- Forensic science
- No
- Criminology
- No
- Interdisciplinary
- No
- Number of additional authors
-
-
- Research group(s)
-
-
- Proposed double-weighted
- No
- Reserve for an output with double weighting
- No
- Additional information
- Miller was invited to submit to this Special Issue of the journal, focused on how states and empires set about the task of going to war in 1914. Her article was double-blind peer reviewed. It considers how mobilisation inflected European aesthetic contexts in the opening months of the First World War, traces how urban and rural landscapes altered to accommodate mass armies and how the visual experience of the war helped to develop broader cultural and political narratives. Miller joined the Editorial Advisory Board of the journal in 2019.
- Author contribution statement
- -
- Non-English
- No
- English abstract
- -
