Choreographic re-embodiment between text and dance
- Submitting institution
-
University of Oxford
- Unit of assessment
- 27 - English Language and Literature
- Output identifier
- 1026
- Type
- C - Chapter in book
- DOI
-
10.1093/oxfordhb/9780199314201.013.26
- Book title
- Oxford Handbook of Dance and Reenactment
- Publisher
- Oxford University Press
- ISBN
- 9780199314201
- Open access status
- -
- Month of publication
- December
- Year of publication
- 2017
- URL
-
-
- Supplementary information
-
-
- Request cross-referral to
- -
- Output has been delayed by COVID-19
- No
- COVID-19 affected output statement
- -
- Forensic science
- No
- Criminology
- No
- Interdisciplinary
- Yes
- Number of additional authors
-
0
- Research group(s)
-
-
- Proposed double-weighted
- No
- Reserve for an output with double weighting
- No
- Additional information
- The sole overlap with Jones’s 2013 monograph is citation of two primary excerpts. (1) p. 7: Conrad's Heart of Darkness(the African woman) focuses on re-enactment - not previously considered. The conceptual analysis is entirely independent. (2) p. 15: the passage from Beckett's Quad, also in the monograph, is seen here in light of a rethinking of the play's antecedents in Beckett's late prose (not in the book). There is no overlap with the Oxford Handbook essay, also submitted, beyond brief establishment of key terms for this interdisciplinary field.
- Author contribution statement
- -
- Non-English
- No
- English abstract
- -