Compuesta a toda velocidad : El amor brujo como debut del compositor profesional
- Submitting institution
-
University of Aberdeen
- Unit of assessment
- 33 - Music, Drama, Dance, Performing Arts, Film and Screen Studies
- Output identifier
- 170968923
- Type
- C - Chapter in book
- DOI
-
-
- Book title
- El amor brujo, metáfora de la modernidad : Estudios en torno a Manuel de Falla y la música española del siglo XX
- Publisher
- Centro de Documentación de Música y Danza-INAEM
- ISBN
- 9788490412855
- Open access status
- -
- Month of publication
- December
- Year of publication
- 2018
- URL
-
-
- Supplementary information
-
-
- Request cross-referral to
- -
- Output has been delayed by COVID-19
- No
- COVID-19 affected output statement
- -
- Forensic science
- No
- Criminology
- No
- Interdisciplinary
- No
- Number of additional authors
-
0
- Research group(s)
-
-
- Proposed double-weighted
- No
- Reserve for an output with double weighting
- No
- Additional information
- -
- Author contribution statement
- -
- Non-English
- Yes
- English abstract
- El amor brujo was composed much more quickly and with greater facility than any other work by Manuel de Falla. This article studies the unique case of this gitanería in Falla’s output, and places it as the product of a composer working for the first time in a professional environment. Four contexts of this professionalism are considered: the specific circumstances in which the work was conceived; the application of a specialised and pragmatic compositional process; Falla’s attainment of full mastery of his compositional technique; and the ways in which Falla responded to various external limitations — and even overcame them.