'Le Corbusier and Louis Soutter: Complications and Attacks on the Beauty of Unity'
- Submitting institution
-
Norwich University of the Arts
- Unit of assessment
- 32 - Art and Design: History, Practice and Theory
- Output identifier
- NUA-KF-04
- Type
- D - Journal article
- DOI
-
10.1111/1467-8365.12262
- Title of journal
- Art History
- Article number
- -
- First page
- 1054
- Volume
- 40
- Issue
- 5
- ISSN
- 0141-6790
- Open access status
- Out of scope for open access requirements
- Month of publication
- -
- Year of publication
- 2017
- URL
-
https://nua.repository.guildhe.ac.uk/id/eprint/15991/
- Supplementary information
-
-
- Request cross-referral to
- -
- Output has been delayed by COVID-19
- No
- COVID-19 affected output statement
- -
- Forensic science
- No
- Criminology
- No
- Interdisciplinary
- No
- Number of additional authors
-
-
- Research group(s)
-
C - Pattern and Chaos
- Proposed double-weighted
- No
- Reserve for an output with double weighting
- No
- Additional information
- While the practice of Le Corbusier is widely known, the material and philosophical dialogue established between the architect's writings and the over-writing of those texts by ‘outsider’ artist Louis Soutter, had remained virtually unnoticed. Archive research supported by the Fondation Le Corbusier, Paris, allowed access to these unique works and formed the basis for this fresh perspective on the reception of Le Corbusier's theories and new consideration of his legacy. Art History is a leading international journal in its field and in recent years has particularly featured inter-disciplinary approaches as characterised in Fijalkowski’s essay; articles are double blind peer reviewed.
- Author contribution statement
- -
- Non-English
- No
- English abstract
- -