Alan Hollinghurst: Writing Under the Influence
- Submitting institution
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The University of Leeds
- Unit of assessment
- 27 - English Language and Literature
- Output identifier
- UOA27-296
- Type
- B - Edited book
- DOI
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-
- Publisher
- Manchester University Press
- ISBN
- 9781526134288
- Open access status
- Out of scope for open access requirements
- Month of publication
- July
- Year of publication
- 2016
- URL
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- Supplementary information
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- Request cross-referral to
- -
- Output has been delayed by COVID-19
- No
- COVID-19 affected output statement
- -
- Forensic science
- No
- Criminology
- No
- Interdisciplinary
- No
- Number of additional authors
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1
- Research group(s)
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- Proposed double-weighted
- No
- Reserve for an output with double weighting
- Yes
- Additional information
- This collection is the first (and so far only) book to encompass the full range of genres in which Alan Hollinghurst worked. Flannery is the author of chapter 10, ‘Using Racine in 1990; or Translating Theatre in Time’, and the co-author of the introduction, ‘A Dialogue on Influence’, co-written in innovative dialogue form by Flannery and his co-editor Michele Mendelssohn. Flannery contributed to the conception and resulting shape of the volume, ensuring the collection engaged with the full range of Hollinghurst’s interests. He encouraged chapters that explored questions of temporality and genealogy, often in dialogue with recent work in temporality studies, as well as those that explored construction of subjects and their place(s) in the world. The result is an important and distinct collection, whose readings not only represent the diversity of Hollinghurst’s work but also engage with the concerns of its readers in 2016 and after.
- Author contribution statement
- -
- Non-English
- No
- English abstract
- -
