Anamorphic Authorship in Canonical Film Adaptation
- Submitting institution
-
University of Wolverhampton
- Unit of assessment
- 33 - Music, Drama, Dance, Performing Arts, Film and Screen Studies
- Output identifier
- 349
- Type
- A - Authored book
- DOI
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10.1007/978-3-030-16496-6
- Publisher
- Springer International Publishing
- ISBN
- 9783030164959
- Open access status
- -
- Month of publication
- -
- Year of publication
- 2019
- URL
-
-
- Supplementary information
-
-
- Request cross-referral to
- -
- Output has been delayed by COVID-19
- No
- COVID-19 affected output statement
- -
- Forensic science
- No
- Criminology
- No
- Interdisciplinary
- No
- Number of additional authors
-
0
- Research group(s)
-
-
- Proposed double-weighted
- Yes
- Double-weighted statement
- This research monograph of 260 pages is based on extensive research on existing scholarship about film adaptation which identifies new patterns that account for existing theoretical paradigms; and on research into the intellectual history of the related disciplines literary studies and film studies, to explain how and why adaptation theories have diverged from the dominant paradigms in those disciplines. The book analyses 34 Shakespearean film adaptations to explore how theoretical approaches missing from contemporary adaptation studies can explain those films’ ideological effects. On this basis we request that it be considered for double-weighting.
- Reserve for an output with double weighting
- No
- Additional information
- -
- Author contribution statement
- -
- Non-English
- No
- English abstract
- -