Considering the Relationship between Digitally Mediated Audience Engagement and the Dance-making Process
- Submitting institution
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Leeds Beckett University
- Unit of assessment
- 33 - Music, Drama, Dance, Performing Arts, Film and Screen Studies
- Output identifier
- 22
- Type
- C - Chapter in book
- DOI
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- Book title
- Digital Echoes: Spaces for Intangible and Performance-based Cultural Heritage
- Publisher
- Palgrave Macmillan
- ISBN
- 978-3-319-73816-1
- Open access status
- -
- Month of publication
- -
- Year of publication
- 2018
- URL
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- Supplementary information
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- Request cross-referral to
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- Output has been delayed by COVID-19
- No
- COVID-19 affected output statement
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- Forensic science
- No
- Criminology
- No
- Interdisciplinary
- No
- Number of additional authors
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1
- Research group(s)
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- Proposed double-weighted
- No
- Reserve for an output with double weighting
- No
- Additional information
- This chapter - published in Digital Echoes: Spaces for Intangible and Performance-based Cultural Heritage (London: Palgrave, 2018), eds. Whatley and Dostic Cisneros - draws on original research undertaken through a NESTA-funded project between Yorkshire Dance, University of Leeds and Breakfast Creatives. Within this partnership, Griffiths undertook empirical research relating to the practice of dance in virtual environments, translating this to non- dance specialist colleagues. It draws on Griffith’s expertise and contributes knowledge to choreographic expertise and dance-based theories. This is brought together through an interweaving with studies in audience engagement. Drafting and editing were undertaken collaboratively.
- Author contribution statement
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- Non-English
- No
- English abstract
- -
