Peter Paul Rubens and the Mineral World
- Submitting institution
-
Norwich University of the Arts
- Unit of assessment
- 32 - Art and Design: History, Practice and Theory
- Output identifier
- NUA-MP-05
- Type
- D - Journal article
- DOI
-
-
- Title of journal
- Artibus et Historiae: an art anthology
- Article number
- -
- First page
- 229-265
- Volume
- 79
- Issue
- -
- ISSN
- 0391-9064
- Open access status
- Not compliant
- Month of publication
- -
- Year of publication
- 2019
- URL
-
https://nua.repository.guildhe.ac.uk/id/eprint/17265/
- Supplementary information
-
-
- Request cross-referral to
- -
- Output has been delayed by COVID-19
- No
- COVID-19 affected output statement
- -
- Forensic science
- No
- Criminology
- No
- Interdisciplinary
- No
- Number of additional authors
-
-
- Research group(s)
-
C - Pattern and Chaos
- Proposed double-weighted
- No
- Reserve for an output with double weighting
- No
- Additional information
- This peer reviewed international journal is issued annually in hard back from the publishing house of the Institute for Art Historical Research (founded in Venice 1979) at the Jagiellonian University, Cracow (IRSA). With its pedigree of central European scholarship, A&H lists among its contributors many of the most distinguished art historians of the 20th and 21st centuries. Pointon’s article represents the first major output from her current research project on the semantics of jewels as imaged in early modern artworks and the relationship of the early ‘science’ of mineralogy to painting. The learned ‘pictor doctor’ Rubens is at its heart.
- Author contribution statement
- -
- Non-English
- No
- English abstract
- -
