Performance and Participation : Practices, Audiences, Politics
- Submitting institution
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Royal Holloway and Bedford New College
- Unit of assessment
- 33 - Music, Drama, Dance, Performing Arts, Film and Screen Studies
- Output identifier
- 27141407
- Type
- B - Edited book
- DOI
-
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- Publisher
- Palgrave Macmillan
- ISBN
- 9781137393173
- Open access status
- -
- Month of publication
- October
- Year of publication
- 2016
- URL
-
-
- Supplementary information
-
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- Request cross-referral to
- -
- Output has been delayed by COVID-19
- No
- COVID-19 affected output statement
- -
- Forensic science
- No
- Criminology
- No
- Interdisciplinary
- No
- Number of additional authors
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1
- Research group(s)
-
-
- Proposed double-weighted
- No
- Reserve for an output with double weighting
- Yes
- Additional information
- ‘Performance and Participation: Practices, Audiences, Politics’ is an 11-chapter, peer-reviewed book that seeks to generate new debates about how contemporary theatre-makers are redefining how participation is practised and understood in the UK. Jointly conceived by the editors, Helen Nicholson and Anna Harpin, the book offers critical insights into the politics of performance in different forms of performance, including community theatre, live art, applied theatre, one-to-one performance, marathon running, and immersive theatre. Harpin and Nicholson shared responsibility equally for the intellectual structure, curating debates and editing chapters. They co-authored an introduction (6200 words) and Nicholson contributed a chapter (10,000 words).
- Author contribution statement
- -
- Non-English
- No
- English abstract
- -