The Spanish quinqui film: delinquency, sound, sensation
- Submitting institution
-
The University of Warwick
- Unit of assessment
- 26 - Modern Languages and Linguistics
- Output identifier
- 7695
- Type
- A - Authored book
- DOI
-
-
- Publisher
- Manchester University Press
- ISBN
- 9781526131775
- Open access status
- -
- Month of publication
- July
- Year of publication
- 2020
- URL
-
-
- Supplementary information
-
-
- Request cross-referral to
- -
- Output has been delayed by COVID-19
- No
- COVID-19 affected output statement
- -
- Forensic science
- No
- Criminology
- No
- Interdisciplinary
- No
- Number of additional authors
-
0
- Research group(s)
-
-
- Proposed double-weighted
- Yes
- Double-weighted statement
- This monograph proposed for double-weighting is the first extended English-language study of cine quinqui, popular Spanish films made in the late 1970s and early 1980s starring real-life juvenile delinquents. In combining criminology, sociology and sound studies – fields that have not previously been considered together for the study of film – the critical framework for the monograph is highly multi-layered and creative. In its exploration of the relationship between sound and marginal subcultures, the book draws on a large and highly eclectic body of primary sources (from crime surveys and media texts to radio cassettes) which were difficult to access.
- Reserve for an output with double weighting
- No
- Additional information
- As noted in the book's acknowledgements, some of the material in the monograph appeared in an earlier form in the chapter 'Mobile Soundscapes in the Quinqui Film' in (eds.) Lisa Shaw and Rob Stone, Screening Songs in Hispanic and Lusophone Cinema (Manchester University Press, 2013, pp. 98-113). This text was entirely revised, and its arguments further developed and extended, when it was integrated into chapter 5 of the present monograph, and in p. 15 of its introduction.
- Author contribution statement
- -
- Non-English
- No
- English abstract
- -