Collaborative Critique: Expanded practices of contemporary performance criticism
- Submitting institution
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The Royal Central School of Speech and Drama
- Unit of assessment
- 33 - Music, Drama, Dance, Performing Arts, Film and Screen Studies
- Output identifier
- DDAM3
- Type
- T - Other
- DOI
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- Location
- The Royal Central School of Speech and Drama
- Brief description of type
- A collection of critical work
- Open access status
- -
- Month
- -
- Year
- 2020
- URL
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- Supplementary information
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- Request cross-referral to
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- Output has been delayed by COVID-19
- No
- COVID-19 affected output statement
- -
- Forensic science
- No
- Criminology
- No
- Interdisciplinary
- Yes
- Number of additional authors
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- Research group(s)
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- Proposed double-weighted
- Yes
- Double-weighted statement
- ‘Collaborative Critique’ is a transnational and inter-disciplinary multi-component output that articulates strategies for collaborative practice in cultural criticism in theatre and performance through an archive of practice, and a multi-layered series of collaborations and research processes. Operating across distinct fields of practice — political theory, creative writing and performance studies — the project contributes new methodological approaches to examining the relation between critical discourse and democratic commons. Developed over seven years, across multiple geographic locations, cultural scenes and critical communities, this extended research foregrounds criticism as a distinct area of inquiry and practice, and a space for cross-border solidarity.
- Reserve for an output with double weighting
- No
- Additional information
- This practice research is a multi-component output consisting of a series of inter-related works of criticism which I developed as a critic and writer, as well as a series of accompanying written findings. The research expands the political and creative scope of cultural criticism at a time of fundamental changes to the role of critical communication for democratic politics. The project emerged from my sustained inquiry into cooperative and collective structures for criticism, and professional and lived experience as a mixed ethnicity migrant critic and researcher operating across different political and cultural ecologies in Europe.
The research brings new insights into performance criticism as a distinct performative critical practice, rather than an instrument for performance dissemination. It examines the inter-relation of political structures within criticism (such as form, authorship and production) with its institutional regulation, by mainstream media, the blogosphere or cultural infrastructures on the one hand, and gendered, colonial conceptions of political rationality on the other. The project investigates the role of affective entanglements, cooperative strategies and techniques, such as the live, speculative or fictional, to act as political participation and change.
The project drew on methodologies from performance studies, creative writing and political theory, and unfolded through a series of collaborations with artists, researchers and writers; fieldwork engaging with communities from across Europe, academic, non-academic and professional; training programmes in partnership with organisations at the forefront of experimental performance practice; editorial collaborations that developed modes of collective critical writing; and residencies with independent cultural organisations.
The research has been shared internationally (UK, Germany, Denmark, Portugal, Serbia) through presentations, conferences, publications in peer-reviewed journals, articles in open access platforms and websites, and creative and digital publications.
- Author contribution statement
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- Non-English
- No
- English abstract
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