Identifying and Interpreting Incongruent Film Music
- Submitting institution
-
The University of Leeds
: A - Music
- Unit of assessment
- 33 - Music, Drama, Dance, Performing Arts, Film and Screen Studies : A - Music
- Output identifier
- UOA33A-2013
- Type
- A - Authored book
- DOI
-
-
- Publisher
- Palgrave Macmillan
- ISBN
- 9783030005054
- Open access status
- Out of scope for open access requirements
- Month of publication
- -
- Year of publication
- 2018
- URL
-
-
- Supplementary information
-
-
- Request cross-referral to
- -
- Output has been delayed by COVID-19
- No
- COVID-19 affected output statement
- -
- Forensic science
- No
- Criminology
- No
- Interdisciplinary
- No
- Number of additional authors
-
0
- Research group(s)
-
-
- Proposed double-weighted
- Yes
- Double-weighted statement
- Synthesising a comprehensive range of theoretical and empirical evidence this monograph presents an extended, in-depth theorisation of incongruent film music resulting from a sustained decade of research activity. Interrogating incongruence from an array of disciplinary perspectives (including: film (music) studies; poststructuralist thought; psychology; and semiotics), the text represents the first theorisation of this frequently-used but under-explored term. The work has been lauded by peer reviewers for its original conceptual insights and case study analyses, in addition to its modeling of productive multi- and interdisciplinary research through a complex and ambitious combination of extensive theoretical research with new empirical study.
- Reserve for an output with double weighting
- No
- Additional information
- -
- Author contribution statement
- -
- Non-English
- No
- English abstract
- -