Comment penser l’image écologique dans le théâtre contemporain: l’image élémentaire dans Some Things Happen All At Once de Mike Brookes et Rosa Casado
- Submitting institution
-
University of Glasgow
- Unit of assessment
- 34 - Communication, Cultural and Media Studies, Library and Information Management
- Output identifier
- 34A-05641
- Type
- D - Journal article
- DOI
-
-
- Title of journal
- thaêtre
- Article number
- -
- First page
- 1
- Volume
- 0
- Issue
- -
- ISSN
- 2678-8373
- Open access status
- Compliant
- Month of publication
- July
- Year of publication
- 2019
- URL
-
http://eprints.gla.ac.uk/182353/
- Supplementary information
-
-
- Request cross-referral to
- 33 - Music, Drama, Dance, Performing Arts, Film and Screen Studies
- Output has been delayed by COVID-19
- No
- COVID-19 affected output statement
- -
- Forensic science
- No
- Criminology
- No
- Interdisciplinary
- No
- Number of additional authors
-
0
- Research group(s)
-
-
- Proposed double-weighted
- No
- Reserve for an output with double weighting
- No
- Additional information
- -
- Author contribution statement
- -
- Non-English
- Yes
- English abstract
- This essay advances a new theory of the ecological image, specifically focused on the operations of the theatrical medium. It does so by explaining what the ecological image is; how it has been discussed by thinkers in other disciplines; and how I figure it for Theatre Studies. Attention is placed on the materialist and affective dimensions of the image, which I demonstrate through a close analysis of the work of Mike Brookes and Rosa Casado. The aim is to show how the ecological image in theatre affords new forms of perception that contest conventional notions of eco-performance and environmental thinking.
