The Reputations of Thomas Moore : Poetry, Music, and Politics
- Submitting institution
-
Queen's University of Belfast
- Unit of assessment
- 33 - Music, Drama, Dance, Performing Arts, Film and Screen Studies
- Output identifier
- 231919413
- Type
- B - Edited book
- DOI
-
-
- Publisher
- Routledge
- ISBN
- 9780367353391
- Open access status
- -
- Month of publication
- August
- Year of publication
- 2019
- URL
-
-
- Supplementary information
-
-
- Request cross-referral to
- -
- Output has been delayed by COVID-19
- No
- COVID-19 affected output statement
- -
- Forensic science
- No
- Criminology
- No
- Interdisciplinary
- No
- Number of additional authors
-
1
- Research group(s)
-
-
- Proposed double-weighted
- No
- Reserve for an output with double weighting
- No
- Additional information
- McCleave and O’Hanlon conceived and co-edited this anthology as part of the output for project ERIN; their call for papers stimulated eleven essays that complement project ERIN in considering Moore’s work as the stimulus for various artistic and political networks which effected the transmission of cultural products. It is the first study to focus explicitly on the reputations of Thomas Moore in different parts of the world, including Bombay, Dublin, Leipzig, and London, as well as America, Canada, Greece, and the Hispanic world. McCleave further contributed a chapter to this anthology - ‘The role of community, network and sentiment in shaping the reputations of Thomas Moore’, pages 1-22. This opening essay identifies key agents in the construction of Moore’s reputations in the evolving nineteenth-century marketplace, amplifying a new concept of network theory (Reichardt, 2015) in articulating the publishing industry and its processes amongst these agents. McCleave’s essay also sets the broader cultural context for the remaining 10 essays, establishing connections between them.
- Author contribution statement
- -
- Non-English
- No
- English abstract
- -