Music, Performance, and the Realities of Film: Shared Concert Experiences in Screen Fiction
- Submitting institution
-
The Open University
- Unit of assessment
- 33 - Music, Drama, Dance, Performing Arts, Film and Screen Studies
- Output identifier
- 1458315
- Type
- A - Authored book
- DOI
-
10.4324/9780203768167
- Publisher
- Routledge
- ISBN
- 978-0-415-82453-8
- Open access status
- -
- Month of publication
- February
- Year of publication
- 2014
- URL
-
-
- Supplementary information
-
-
- Request cross-referral to
- -
- Output has been delayed by COVID-19
- No
- COVID-19 affected output statement
- -
- Forensic science
- No
- Criminology
- No
- Interdisciplinary
- No
- Number of additional authors
-
0
- Research group(s)
-
-
- Proposed double-weighted
- Yes
- Double-weighted statement
- This c.100,000 word monograph investigates questions of film-music theory in the context of scenes of musical performance in examples of screen media from 1919 to 2010. It is based on six years of sustained research involving the collection and critical analysis of over 150 examples of audio-visual media, and archival work at Warner Bros. Archives in California. Extensive time was devoted to developing the complexity of the argument, which relies upon a range of philosophical, musicological, and film-theoretical perspectives—including the concept of imaginative resistance, Edgar Morin’s projection-identification complex, and Carolyn Abbate’s work on music performance.
- Reserve for an output with double weighting
- No
- Additional information
- -
- Author contribution statement
- -
- Non-English
- No
- English abstract
- -
