From Film Practice to Data Process : Production Aesthetics and Representational Practices of a Film Industry in Transition
- Submitting institution
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King's College London
- Unit of assessment
- 34 - Communication, Cultural and Media Studies, Library and Information Management
- Output identifier
- 108302950
- Type
- A - Authored book
- DOI
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10.3366/edinburgh/9780748693580.001.0001
- Publisher
- Edinburgh: Edinburgh University Press
- ISBN
- 9781474431880
- Open access status
- -
- Month of publication
- January
- Year of publication
- 2018
- URL
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- Supplementary information
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- Request cross-referral to
- -
- Output has been delayed by COVID-19
- No
- COVID-19 affected output statement
- -
- Forensic science
- No
- Criminology
- No
- Interdisciplinary
- No
- Number of additional authors
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0
- Research group(s)
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-
- Proposed double-weighted
- Yes
- Double-weighted statement
- Based on an extended and sustained case study undertaken between 2011-2016; supported by the AHRC, an OU Fellowship, and HEA funding; this was one of the first studies to have gained such in-depth access and proximity to the contemporary film production process at a moment of profound change in its digital transformation (in 2012). The analysis of interviews, production data, archive materials and moving image from one ‘touchstone’ production provided a means to reflect on important technological, industrial and theoretical developments. This is integrated with a rigorous analysis of historical change in the modes and anatomies of feature film production.
- Reserve for an output with double weighting
- No
- Additional information
- -
- Author contribution statement
- -
- Non-English
- No
- English abstract
- -
