Metamophosing: The Construction and Deconstruction of Roberto Gerhard's Symphony No. 2 in Essays on Roberto Gerhard published by Cambridge Scholars Publishing, 2017, pp. 202-221.
- Submitting institution
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University of Chester
- Unit of assessment
- 33 - Music, Drama, Dance, Performing Arts, Film and Screen Studies
- Output identifier
- 10034/620667
- Type
- C - Chapter in book
- DOI
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- Book title
- Essays on Roberto Gerhard
- Publisher
- Cambridge Scholars Publishing
- ISBN
- 9781443811088
- Open access status
- Out of scope for open access requirements
- Month of publication
- December
- Year of publication
- 2016
- URL
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- Supplementary information
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- Request cross-referral to
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- Output has been delayed by COVID-19
- No
- COVID-19 affected output statement
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- Forensic science
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- Criminology
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- Interdisciplinary
- No
- Number of additional authors
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0
- Research group(s)
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- Proposed double-weighted
- No
- Reserve for an output with double weighting
- No
- Additional information
- Metamorphosing is an expansion of work which is first posited in Roberto Gerhard: The Serial Symphonist in The Roberto Gerhard Companion (London: Ashgate, 2013). The latter broadly surveys Roberto Gerhard’s symphonic serial technique. The former focusses on the results of a comparative analysis investigating the compositional process of Gerhard’s revising the materials from Symphony No.2 (1959) into the later Metamorphoses (1968). The new material plots the differences in diagrammatic form and assesses the structural implications resulting from this. This is part of ongoing work on Gerhard’s revisions of existing works in order to explore his creative process.
- Author contribution statement
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- Non-English
- No
- English abstract
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