Awareness Performing: practice to protocol
- Submitting institution
-
Norwich University of the Arts
- Unit of assessment
- 32 - Art and Design: History, Practice and Theory
- Output identifier
- NUA-EB-04
- Type
- C - Chapter in book
- DOI
-
10.4324/9781315169927
- Book title
- The Routledge Companion to Theatre, Performance, and Cognitive Science
- Publisher
- Routledge
- ISBN
- 978-1-138-04889-8
- Open access status
- Out of scope for open access requirements
- Month of publication
- September
- Year of publication
- 2019
- URL
-
-
- Supplementary information
-
-
- Request cross-referral to
- -
- Output has been delayed by COVID-19
- No
- COVID-19 affected output statement
- -
- Forensic science
- No
- Criminology
- No
- Interdisciplinary
- Yes
- Number of additional authors
-
-
- Research group(s)
-
B - Human Interfaces
- Proposed double-weighted
- No
- Reserve for an output with double weighting
- No
- Additional information
- Bryon was commissioned to contribute a chapter as one of the ‘authors who have been at the cutting-edge of research and practice in the field over the last 15 years’ (Abstract). The chapter applies cognitive science’s notion of enactivism to reconsider the ways situated awareness (SA) theory positions the status of an agent’s ‘mind’. It introduces a translational proposition, drawing from Integrative Performance Practice (IPP) and aspects of embodied cognition, as a way of exploring modes of awareness toward the possibility of more effective SA for use in the military and for emergency responders.
- Author contribution statement
- -
- Non-English
- No
- English abstract
- -
