Co-edited special issue of the journal, Textus - English Studies in Italy on ‘Performing Narrative across Media’. Co-authored Introduction, and sole author of article ‘Adapting 'Real-life' Material: Metatheatrical Configurations of Authorship and Ownership of Story in Contemporary British Verbatim Theater’.
- Submitting institution
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University of South Wales / Prifysgol De Cymru
: A - A – Faculty of Creative Industries, University of South Wales
- Unit of assessment
- 33 - Music, Drama, Dance, Performing Arts, Film and Screen Studies : A - A – Faculty of Creative Industries, University of South Wales
- Output identifier
- 3441236
- Type
- B - Edited book
- DOI
-
-
- Publisher
- Associazione Italiana di Anglisti
- ISBN
- 0000000000
- Open access status
- Out of scope for open access requirements
- Month of publication
- October
- Year of publication
- 2018
- URL
-
-
- Supplementary information
-
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- Request cross-referral to
- -
- Output has been delayed by COVID-19
- No
- COVID-19 affected output statement
- -
- Forensic science
- No
- Criminology
- No
- Interdisciplinary
- No
- Number of additional authors
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0
- Research group(s)
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A - Drama, Theatre and Performance
- Proposed double-weighted
- No
- Reserve for an output with double weighting
- No
- Additional information
- This co-edited journal issue came about following an invitation to Márta Minier from C. Maria Laudando from the Orientale University of Naples to co-edit a thematic issue of the leading English Studies academic journal of Italy with her. It is the journal’s tradition to ask a leading international researcher to co-edit one of the three main sections of any issue (literature, linguistics or cultural studies). ‘Performing Narrative across Media’ was the cultural studies volume of the 2018:2 issue. It was loosely inspired by a conference at which Minier was a keynote speaker but the material emerged from a brand-new call for papers following the conference and tailored to the joint focus agreed on by the two editors. The co-authored introduction engages with the travelling theories of the performative aspect of narrative, while Minier’s own article examines the much neglected aspect of adaptation in the verbatim theatre genre through a discussion of metatheatrical configurations of authorship and story ownership in three examples of 21st century British verbatim theatre.
- Author contribution statement
- -
- Non-English
- No
- English abstract
- -
