Hollywood Remakes, Deleuze and the Grandfather Paradox
- Submitting institution
-
University of Winchester
- Unit of assessment
- 34 - Communication, Cultural and Media Studies, Library and Information Management
- Output identifier
- 34DV1
- Type
- A - Authored book
- DOI
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10.1057/9781137408600
- Publisher
- Palgrave Macmillan UK
- ISBN
- 9781349488346
- Open access status
- Out of scope for open access requirements
- Month of publication
- -
- Year of publication
- 2014
- URL
-
-
- Supplementary information
-
-
- Request cross-referral to
- -
- Output has been delayed by COVID-19
- No
- COVID-19 affected output statement
- -
- Forensic science
- No
- Criminology
- No
- Interdisciplinary
- No
- Number of additional authors
-
-
- Research group(s)
-
-
- Proposed double-weighted
- Yes
- Double-weighted statement
- Varndell’s monograph takes up two key areas of scholarly focus. The first is philosophy, from the Lacanian psychoanalysis that informs the cultural theory of Slavoj Žižek to the classical philosophy that informs the contemporary theory of Gilles Deleuze, one the monograph’s primary subjects. Second, is the subject of contemporary Hollywood remakes, analyses of which rest on several sources, from classical Hollywood film to European cinema, television series to art exhibitions. It is on this breadth and range of scholarly foundation and context that the textual analyses rest and critical insights are sustained.
- Reserve for an output with double weighting
- No
- Additional information
- -
- Author contribution statement
- -
- Non-English
- No
- English abstract
- -
