‘The Four Continents’ is a collection of large-scale sculptural forms, which sit at the intersection of art and design. They are the outcome of an iterative research process of making, dissemination and reflection. These forms have been produced through an over-arching research question that investigates the creative potential of using 3D scanning/printing techniques, not just to replicate/reproduce original artefacts, but to transform scales and spaces and generate a new genre of design and sculptural artefact and assess its value.
The research represents a departure from traditional fixed heuristics as it moves between the virtual, the actual and the participatory, enhancing debates within object ontologies. The groups of objects, digital prints, sound works, projections and installations, have been part of an iterative practice-based research process disseminated internationally and critically underpinned with writing over a period of eight years. The Four Continents installation was originally scheduled to be exhibited in 2020 by the V&A, but has been delayed due to COVID.
The research has its roots in two award winning exhibitions in 2012 and 2014 where archives and objects were made available from the ‘Box’ Plymouth and V&A London, to explore the representations of imperial landscapes, portrayed as a group of commodified artefacts. It does this by using machine vision and fabrication to ‘un-make’ the original artefacts and create virtual moulds, developing a change in artefact perception. The research, questions whether these artefacts influence our interaction with the world not only through the direct use we make of them, but also through the meanings we associate with them.
Outcomes have shown how historical museum objects can be transformed for new audiences, developing new knowledge and interpretations of collections. This research additionally developed new digital scanning and fabrication techniques, combining scanning with visualisation, meshes and fabrication.