Contemporary Visual Art and Contemporary Visual Artists.
Citation summary:
Carr, A (2014-2020) Contemporary Visual Art and Contemporary Visual Artists 13 curated exhibitions and published texts and catalogues (ed. Carr, A.) James Beckett: by Adam Carr, Collecteurs, New York (2020); Meet Hugh: Hugh Hayden by Adam Carr, Mousse Magazine, Issue 70 (2020), Untitled: Hannah Levy, Mousse Magazine. Issue 69 (2019), Free Kodak in Mladen Bizumic (2019), Revolver Publishing, Berlin (2019); Near the Weather: Louisa Gagliardi by Adam Carr, Mousse Magazine, Issue 67 (2019); Cassette Pulled from a Car Crash: Lydia Ourahmane by Adam Carr Mousse Magazine. Issue 62 (2018); Lara Favaretto in Rennie Collection, Vancouver (Eds.) (2018), published by Rennie Collection, Vancouver; Louisa Gagliardi Under the Weather, MOSTYN I Wales (17/11/18 - 3/03/19); The Turbulence of Painting in Gamec / CURA. Books (Eds) (2016) A.E. Abstract Existence, published by CURA. BOOKS, Rome (2016); Mladen Bizumic Kodak Employed 140, 000 People, MOSTYN I Wales (22/10/16 - 5/02/17); Kris Martin: T.Y.F.F.S.H., MOSTYN I Wales (24/09/16 - 16/10/16); Ryan Gander by Adam Carr, Cura. Issue 20 (2015); Ryan Gander: Other People Place in STPI, Singapore (Eds.) (2015) Portrait of a Blind Artist Obscured by Flowers: Ryan Gander, (2015); Jens Haaning: Haaning, Jens: by Adam Carr in Follow up on 11 Exhibitions by Jens Haaning, published by Black Dog Publishing (2014); Sean Edwards: Drawn in Cursive (part 3), MOSTYN I Wales, Llandudno (15/11/14 - 1/03/15); Gabriele De Santis: The dance step of a watermelon, Depart Foundation, Los Angeles (18/09/14 - 15/11/14); Ryan Gander: Chance Everything, MOSTYN I Wales (19/04/14 - 13/07/14); Bedwyr Williams: Hotel 70, MOSTYN I Wales (19/04/14 - 13/07/14).
- Submitting institution
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Liverpool John Moores University
- Unit of assessment
- 32 - Art and Design: History, Practice and Theory
- Output identifier
- 32AC3
- Type
- T - Other
- DOI
-
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- Location
- Various
- Brief description of type
- Exhibitions, published texts
- Open access status
- Out of scope for open access requirements
- Month
- -
- Year
- 2014
- URL
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- Supplementary information
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- Request cross-referral to
- -
- Output has been delayed by COVID-19
- No
- COVID-19 affected output statement
- -
- Forensic science
- No
- Criminology
- No
- Interdisciplinary
- No
- Number of additional authors
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0
- Research group(s)
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1 - Contemporary Art Lab
- Proposed double-weighted
- No
- Reserve for an output with double weighting
- No
- Additional information
- This research output is comprised of 13 curated exhibitions by Carr and 19 published texts. Both curated exhibitions and published texts, examine and highlight a single artist’s work. The exhibitions were presented in 3 venues worldwide, including those in Los Angeles and Llandudno, and published by 13 publishers, including Rennie Collection Vancouver, Mousse Magazine Milan, CURA. Rome, and Galleria d’Arte Moderna e Contemporanea Bergamo and STPI, Singapore. The research output and its parts both examine contemporary visual arts and traces its outcomes, particularly from a single artists’ perspective. The texts and curated exhibitions provide an in-depth exploration of an artists’ practice, and present new and unique findings to a wider audience, inserting it in new contexts globally. While working with a single artist in the context of a solo exhibition or a written, published text and essay, this research output also continues Carr’s research into the discipline of curating - inspiring innovation and invigorating the practice through novel, creative and unique means. This ongoing research has been covered by notable internationally press and publications ArtViewer, Mousse Magazine (online), Artribune (September 2014) and Los Angeles Times (September 2014), and directly experienced by over 400,000 people internationally.
- Author contribution statement
- -
- Non-English
- No
- English abstract
- -
