Parallax, Volume 25, Issue 3: Unidentifiable Literary Objects
- Submitting institution
-
Nottingham Trent University
- Unit of assessment
- 27 - English Language and Literature
- Output identifier
- 17 - 1318072
- Type
- T - Other
- DOI
-
-
- Location
- Abingdon
- Brief description of type
- Taylor & Francis (Routledge)
- Open access status
- Out of scope for open access requirements
- Month
- April
- Year
- 2019
- URL
-
-
- Supplementary information
-
-
- Request cross-referral to
- -
- Output has been delayed by COVID-19
- No
- COVID-19 affected output statement
- -
- Forensic science
- No
- Criminology
- No
- Interdisciplinary
- No
- Number of additional authors
-
1
- Research group(s)
-
A - Centre for Travel Writing Studies
- Proposed double-weighted
- No
- Reserve for an output with double weighting
- No
- Additional information
- This 56,000-word special issue is the first study of Derrida’s account of the ‘unidentifiable literary object’ (ULO). Inviting work that challenges perceived disciplinary divisions between creative and critical theory and practice, the editors feature original contributions from a range of international scholars working across literary studies, critical theory, modern languages, and creative-critical writing. Comprising six essays and an introduction, the volume was initiated by Jackson, after organising an international symposium on the ULO at NTU in 2017 (including a contribution from Hélène Cixous). Jackson proposed the special issue to parallax, with co-editor Bostock co-authored the introduction (‘Who Could Ever Read This?’, pp. 241-7), and co-authored one of the essays (‘Between Calls: Together in the Garden’, pp. 333-350; 9206 words).
- Author contribution statement
- -
- Non-English
- No
- English abstract
- -