Fascism and Millennial American Cinema
- Submitting institution
-
University of Winchester
- Unit of assessment
- 34 - Communication, Cultural and Media Studies, Library and Information Management
- Output identifier
- 34LG1
- Type
- A - Authored book
- DOI
-
10.1057/978-1-137-59566-9
- Publisher
- Palgrave Macmillan UK
- ISBN
- 9781137595652
- Open access status
- Out of scope for open access requirements
- Month of publication
- May
- Year of publication
- 2018
- URL
-
-
- Supplementary information
-
-
- Request cross-referral to
- -
- Output has been delayed by COVID-19
- No
- COVID-19 affected output statement
- -
- Forensic science
- No
- Criminology
- No
- Interdisciplinary
- No
- Number of additional authors
-
-
- Research group(s)
-
-
- Proposed double-weighted
- Yes
- Double-weighted statement
- Double-weighting is indicated by the range and depth gained through utilising multiple research perspectives on a diversity of film forms, genres and production practices. The former include formal analysis, historical contextualisation, detailed production histories, and framing via ideological and theoretical issues. The latter is constituted by including low- and medium-budget studio and independent releases (notably American History X, Stir of Echoes and The Believer), star or auteur vehicles (such as The Siege, Fight Club and American Beauty), and high-budget, high-concept science-fiction films and franchises (Starship Troopers, Minority Report, and the Matrix, X-Men, and Star Wars series).
- Reserve for an output with double weighting
- No
- Additional information
- -
- Author contribution statement
- -
- Non-English
- No
- English abstract
- -
