Negotiating the British landscape
- Submitting institution
-
The University of Reading
: A - Art
- Unit of assessment
- 32 - Art and Design: History, Practice and Theory : A - Art
- Output identifier
- 44375
- Type
- C - Chapter in book
- DOI
-
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- Book title
- Anwar Jalal Shemza
- Publisher
- Ridinghouse
- ISBN
- 9781909932135
- Open access status
- -
- Month of publication
- -
- Year of publication
- 2015
- URL
-
-
- Supplementary information
-
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- Request cross-referral to
- -
- Output has been delayed by COVID-19
- No
- COVID-19 affected output statement
- -
- Forensic science
- No
- Criminology
- No
- Interdisciplinary
- No
- Number of additional authors
-
0
- Research group(s)
-
-
- Proposed double-weighted
- No
- Reserve for an output with double weighting
- No
- Additional information
- This is a chapter in the first monograph of the artist Anwar Shemza. It situates this diasporic artist within questions and contexts of British artists, particularly in relation to landscape and condition of Englishness in post WW2 England. It was written after extensive empirical research from his widow’s personal archive, through interviewing his widow and through curating an exhibition commissioned by Hamad Nassar then of the organisation Green Cardammon. The chapter contributes to understanding of Shemza’s practice in the context of Modernism.
- Author contribution statement
- -
- Non-English
- No
- English abstract
- -