Avant-Garde Theatre Sound: Staging Sonic Modernity
- Submitting institution
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University of Exeter
- Unit of assessment
- 33 - Music, Drama, Dance, Performing Arts, Film and Screen Studies
- Output identifier
- 33
- Type
- A - Authored book
- DOI
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10.1057/9781137324795
- Publisher
- Palgrave Macmillan
- ISBN
- 9781349459063
- Open access status
- -
- Month of publication
- April
- Year of publication
- 2014
- URL
-
-
- Supplementary information
-
-
- Request cross-referral to
- -
- Output has been delayed by COVID-19
- No
- COVID-19 affected output statement
- -
- Forensic science
- No
- Criminology
- No
- Interdisciplinary
- No
- Number of additional authors
-
0
- Research group(s)
-
-
- Proposed double-weighted
- Yes
- Double-weighted statement
- Avant-Garde Theatre Sound: Staging Sonic Modernity meets several of the criteria for double-weighted submissions. This book offers a revisionist history of the theatrical avant-garde of the late nineteenth and early twentieth centuries, examining over a dozen European and Russian theatre-makers and five major avant-garde movements. It synthesises a wealth of historical sources and presents original analyses, demonstrating how avant-garde theatre explored newfound sonic conditions and possibilities of modernity. It is one of the first books to connect theatre studies, sound studies, and cultural history. This book was awarded the TaPRA Early Career Research Prize in 2015.
- Reserve for an output with double weighting
- No
- Additional information
- -
- Author contribution statement
- -
- Non-English
- No
- English abstract
- -