‘A slave kept in Leyland’s back parlour’: The Male Artist in the Victorian Marketplace
- Submitting institution
-
Liverpool Hope University
- Unit of assessment
- 32 - Art and Design: History, Practice and Theory
- Output identifier
- AY23C
- Type
- D - Journal article
- DOI
-
10.1080/14714787.2015.1041814
- Title of journal
- Visual Culture in Britain
- Article number
- -
- First page
- 171-185
- Volume
- 16
- Issue
- 2
- ISSN
- 1471-4787
- Open access status
- Compliant
- Month of publication
- June
- Year of publication
- 2015
- URL
-
https://www.tandfonline.com/toc/rvcb20/16/2
- Supplementary information
-
-
- Request cross-referral to
- -
- Output has been delayed by COVID-19
- No
- COVID-19 affected output statement
- -
- Forensic science
- No
- Criminology
- No
- Interdisciplinary
- No
- Number of additional authors
-
-
- Research group(s)
-
-
- Proposed double-weighted
- No
- Reserve for an output with double weighting
- No
- Additional information
- This volume is a special issue of Visual Culture in Britain, guest edited by Yeates (and subject to the usual peer-review process of the main editor), published by Taylor and Francis with international distribution. The volume contains an Introduction and article written by Yeates, and brings together both junior and established scholars, offering a comprehensive examination of the figure of the male visual artist in the nineteenth century. The volume was proposed due to the lack of critical literature on the topic, most studies focusing on the male literary artist.
- Author contribution statement
- -
- Non-English
- No
- English abstract
- -
