Displaying Victorian Sculpture
- Submitting institution
-
University of York
- Unit of assessment
- 32 - Art and Design: History, Practice and Theory
- Output identifier
- 54927932
- Type
- B - Edited book
- DOI
-
-
- Publisher
- University of Liverpool Press
- ISBN
- 0000000000
- Open access status
- -
- Month of publication
- -
- Year of publication
- 2014
- URL
-
-
- Supplementary information
-
-
- Request cross-referral to
- -
- Output has been delayed by COVID-19
- No
- COVID-19 affected output statement
- -
- Forensic science
- No
- Criminology
- No
- Interdisciplinary
- No
- Number of additional authors
-
1
- Research group(s)
-
-
- Proposed double-weighted
- No
- Reserve for an output with double weighting
- Yes
- Additional information
- Edwards was the equal co-editor of this book with Michael Hatt (University of Warwick). He was the minor co-author of the volume's introduction, ‘Displaying Victorian Sculpture' (pp.127-130). He was the single author of a chapter, 'Postcards from the Edge? Thomas Woolner's Captain Cook (1879) for Sydney' (pp. 209-220). The volume was an outcome of the £1M AHRC Displaying Victorian Sculpture project, of which Edwards was the Co-I with Hatt the PI. Edwards was also the co-supervisor (again with Hatt) of the PhDs of five of the volume's contributors, from which their articles derived: Gabriel Williams, Charlotte Drew, Desiree de Chair, and Eoin Martin, and of the project's post-doctoral researcher Dr Claire Jones. The dialogue 'On Re-Displaying Victorian Sculpture' considers the exhibition Sculpture Victorious: Art in an Age of Invention, 1837-1901, co-curated by Edwards, Hatt, and Martina Droth, at the Yale Center for British Art and Tate Britain.
- Author contribution statement
- -
- Non-English
- No
- English abstract
- -