A critical review of the application of paleo-art in paleontological exhibition – a case study of the Dinosaurs of China exhibition in Wollaton Hall and Lakeside Arts, Nottingham
- Submitting institution
-
University of Nottingham, The
- Unit of assessment
- 12 - Engineering
- Output identifier
- 3017952
- Type
- D - Journal article
- DOI
-
10.1080/09647775.2019.1573700
- Title of journal
- Museum Management and Curatorship
- Article number
- -
- First page
- 521
- Volume
- 34
- Issue
- 5
- ISSN
- 0964-7775
- Open access status
- Not compliant
- Month of publication
- February
- Year of publication
- 2019
- URL
-
-
- Supplementary information
-
-
- Request cross-referral to
- 13 - Architecture, Built Environment and Planning
- Output has been delayed by COVID-19
- No
- COVID-19 affected output statement
- -
- Forensic science
- No
- Criminology
- No
- Interdisciplinary
- Yes
- Number of additional authors
-
2
- Research group(s)
-
C - Architecture, Culture & Tectonics
- Proposed double-weighted
- No
- Reserve for an output with double weighting
- No
- Additional information
- This paper is one of the key outputs associated with the Nottingham “Dinosaurs of China – Ground Shakers and Feathered Flyers” exhibition, 2017, which generated positive social impacts. The paper delivers a critical rethinking on an important but rarely explored field – Application of Paleoart in museum – from an interdisciplinary point of view between art, museum study and architecture. The opinions revealed in the paper have impacted the Nottingham Natural History Museum’s Transformation Project 2019-2023, in which Paleoart is considered as both museum legacy from 2017 Dinosaurs of China Exhibition and future exhibition design element.
- Author contribution statement
- -
- Non-English
- No
- English abstract
- -
