Within and Between: Women, Bodies, Generations
- Submitting institution
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Arts University Bournemouth, the
- Unit of assessment
- 32 - Art and Design: History, Practice and Theory
- Output identifier
- Richardson_32054 Within
- Type
- M - Exhibition
- Venue(s)
- The Glass Tank Gallery, Oxford Brookes University.
- Open access status
- -
- Month of first exhibition
- April
- Year of first exhibition
- 2019
- URL
-
-
- Supplementary information
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- Request cross-referral to
- -
- Output has been delayed by COVID-19
- No
- COVID-19 affected output statement
- -
- Forensic science
- No
- Criminology
- No
- Interdisciplinary
- No
- Number of additional authors
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2
- Research group(s)
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-
- Proposed double-weighted
- No
- Reserve for an output with double weighting
- No
- Additional information
- ‘Within and Between: Women, Bodies, Generations’ took the form of four sculptural installations staged jointly in 2019 with Janice Howard and Clair Chinnery at Glass Tank Gallery, Oxford Brookes University, UK.
The work drew on auto-ethnographic research which aimed to interrogate and reframe female bodily ageing. Each of the four large-scale works explored different stages of the artist’s life initiated by an active and embodied reworking of feminist paradigms and informed by thematic methodologies of practice-based and theoretical enquiries of women artists who have also addressed rites of passage, puberty, menstruation, pregnancy and representation (Kiki Smith, Womanhouse, Judy Chicago, Louise Bourgeois, Carolee Schneemann, Julia Kristeva, Lucy Lippard, Luce Irigaray).
Representations of women’s bodily function have historically constructed women as subjugated by their embodiment, so incapable of rational thought. This has resulted in negative associations of menopause as problematic, barren, dried-up, unproductive and issueless. Through her work, Richardson raises questions about what remains unresolved and hidden as science, legislation and culture fall short of fully understanding and articulating ‘the change’.
Through her chosen methodology, Richardson responds to the urgent need for a fuller articulation by addressing and redefining the intergenerational space of maturing children and diminishing parents.
By generating positive connectivities, relations and exemplars, the research project offered a more dynamic perspective and associative visual language. Proposing the menopause to be a potentially rich and liberating developmental phase of life, the outcomes contribute fresh understanding that can be usefully acted upon through future cross-disciplinary collaboration and enquiry.
The exhibition was funded by Oxford Brookes University, and accompanied by a series of talks, gallery events and a bespoke website: lisarichardson.me
- Author contribution statement
- -
- Non-English
- No
- English abstract
- -
