The late voice: time, age and experience in popular music
- Submitting institution
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University of Sussex
- Unit of assessment
- 33 - Music, Drama, Dance, Performing Arts, Film and Screen Studies
- Output identifier
- 307949_57259
- Type
- A - Authored book
- DOI
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- Publisher
- Bloomsbury Academic
- ISBN
- 9781628921182
- Open access status
- -
- Month of publication
- October
- Year of publication
- 2015
- URL
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- Supplementary information
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- Request cross-referral to
- -
- Output has been delayed by COVID-19
- No
- COVID-19 affected output statement
- -
- Forensic science
- No
- Criminology
- No
- Interdisciplinary
- No
- Number of additional authors
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0
- Research group(s)
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- Proposed double-weighted
- Yes
- Double-weighted statement
- Elliott’s 300-page monograph The Late Voice develops extensively some questions first raised in his doctoral thesis on loss, memory and nostalgia in popular music (2003). The book connects these issues to those of age, experience and lateness, drawing on the huge growth of research into age, ageing and memory in recent years in response to the ageing of populations more generally. The study also draws on biographical, historical and cultural contexts of the concept of lateness, and upon narrative theory and phenomenology, to present a book that is researched both widely and in depth.
- Reserve for an output with double weighting
- No
- Additional information
- -
- Author contribution statement
- -
- Non-English
- No
- English abstract
- -