Being True to Works of Music
- Submitting institution
-
The University of Leeds
- Unit of assessment
- 30 - Philosophy
- Output identifier
- UOA30-885
- Type
- A - Authored book
- DOI
-
-
- Publisher
- Oxford University Press
- ISBN
- 9780198859482
- Open access status
- Out of scope for open access requirements
- Month of publication
- May
- Year of publication
- 2020
- URL
-
-
- Supplementary information
-
-
- Request cross-referral to
- -
- Output has been delayed by COVID-19
- No
- COVID-19 affected output statement
- -
- Forensic science
- No
- Criminology
- No
- Interdisciplinary
- No
- Number of additional authors
-
0
- Research group(s)
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-
- Proposed double-weighted
- Yes
- Double-weighted statement
- This monograph, of 179, pages contains six chapters, five of which are article-length arguments for substantive conclusions. It argues in great detail for an original account of the various authenticity norms governing (or said to govern) our practice of performing works of Western classical music. This makes it a major, extended piece of philosophical writing more demanding than a single article. The concept of interpretive authenticity, and some of the examples used, originated with ‘Performing Works of Music Authentically’ (European Journal of Philosophy 23 (2015). The latter is NOT submitted in REF2.
- Reserve for an output with double weighting
- No
- Additional information
- -
- Author contribution statement
- -
- Non-English
- No
- English abstract
- -
