Histéresis creativa : la injusticia distributiva en el origen de la cultura espectacular de la corte barroca, el entremés nuevo y la estética picaresca
- Submitting institution
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University of Glasgow
: A - 26A - Modern Languages
- Unit of assessment
- 26 - Modern Languages and Linguistics : A - 26A - Modern Languages
- Output identifier
- 26A-04873
- Type
- A - Authored book
- DOI
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- Publisher
- University of North Carolina Press
- ISBN
- 9781469627168
- Open access status
- -
- Month of publication
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- Year of publication
- 2015
- URL
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- Supplementary information
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- Request cross-referral to
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- Output has been delayed by COVID-19
- No
- COVID-19 affected output statement
- -
- Forensic science
- No
- Criminology
- No
- Interdisciplinary
- No
- Number of additional authors
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0
- Research group(s)
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- Proposed double-weighted
- Yes
- Double-weighted statement
- This monograph is the result of over 7 years’ research, and covers a wide range of texts and contexts spanning the early Middle Ages to the late Baroque. It analyses how courtly spectacles, short and full-length plays, and picaresque narratives arose under Philip III of Spain, and were then adopted by popular culture. The book focuses on some of the most prominent writers (Miguel de Cervantes, Lope de Vega and Alonso de Castillo Solórzano) but considers their works through the optic of creative hysteresis, i.e., the artistic appropriation of the past to defend the present.
- Reserve for an output with double weighting
- No
- Additional information
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- Author contribution statement
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- Non-English
- No
- English abstract
- -
