Haydn Piano Sonata XVI: 50 – Hyper Production MIDI
- Submitting institution
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The University of West London
- Unit of assessment
- 33 - Music, Drama, Dance, Performing Arts, Film and Screen Studies
- Output identifier
- 33015
- Type
- Q - Digital or visual media
- Publisher
- -
- Month
- -
- Year
- 2016
- URL
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- Supplementary information
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- Request cross-referral to
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- Output has been delayed by COVID-19
- No
- COVID-19 affected output statement
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- Forensic science
- No
- Criminology
- No
- Interdisciplinary
- No
- Number of additional authors
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- Research group(s)
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- Proposed double-weighted
- No
- Reserve for an output with double weighting
- No
- Additional information
- The output for assessment is the musical soundtrack to the Artefact Video. This, and the contextual materials described below, are supplied on a USB stick.
The soundtrack has been available on vimeo.com (https://vimeo.com/140241973) and shared via social media since 2016. It has also been played back in concerts at King’s Place London (Oct 2015), at the University of West London (Sep 2015) and at the University of Birmingham (Sep 2015) and in conference and lecture presentations at universities in the USA, Cuba, Colombia and the UK.
The submission comprises the following videos and documents:
02 Artefact Video (11 minutes 36 seconds)
03 Research Question Video (3 minutes 19 seconds)
04 Research Context Video (9 minutes 5 seconds)
05 Research Narrative Video (12 minutes 42 seconds)
06 New Knowledge Video (3 minutes 32 seconds)
07 Appendix 1: Haydn in Modern Dress Chapter from Zagorski-Thomas et al; 2020; The Art of Record Production: Creative Practice in the Studio; Routledge; Abingdon, Oxon
08 Appendix 2: Notes on the Haydn CMHP Meetings (AHRC funded Classical Music Hyper-Production project)
09 Appendix 3: Excel spreadsheet of the schematic structure of the Haydn CMHP production.
The artefact is the embodiment of a process of theoretically informed and experimental practice research, whilst the rest of this submission makes explicit and shares the research process and new knowledge inherent in this artefact. These contextual components clarify the research questions and context of the project and the technical and metaphorical mechanisms through which the production explores this piece and new ways to interpret and engage with it. The contextual components were produced between 2018 and 2020 and have been shared as an example of practice / artistic research with the 21st Century Music Practice research network (250 members; 30 countries) via its website, http://www.c21mp.org/.
- Author contribution statement
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- Non-English
- No
- English abstract
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