Integrative Performance: Practice and Theory for the Interdisciplinary Performer
- Submitting institution
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Norwich University of the Arts
- Unit of assessment
- 32 - Art and Design: History, Practice and Theory
- Output identifier
- NUA-EB-01
- Type
- A - Authored book
- DOI
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- Publisher
- Routledge
- ISBN
- 978-0-415-69448-3
- Open access status
- Out of scope for open access requirements
- Month of publication
- -
- Year of publication
- 2014
- URL
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-
- Supplementary information
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- Request cross-referral to
- -
- Output has been delayed by COVID-19
- No
- COVID-19 affected output statement
- -
- Forensic science
- No
- Criminology
- No
- Interdisciplinary
- Yes
- Number of additional authors
-
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- Research group(s)
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B - Human Interfaces
- Proposed double-weighted
- No
- Reserve for an output with double weighting
- No
- Additional information
- This book contains two contributions to interdisciplinary performance practice.
The first (Chapter 8) develops an anti-hermeneutic approach to text analysis where no prescribed signifier is the primary custodian of meaning which the performance is bound to depict or interpret. The second (Parts II and III), is the result of practice-led research into the limits of physio-vocal practice. It offers an innovative approach to performance training of singers and dancers, which is now taught worldwide in a number of conservatoires and performance programmes. After publication Bryon was invited to become a Board Member for the Journal for Interdisciplinary Voice Studies, Intellect.
- Author contribution statement
- -
- Non-English
- No
- English abstract
- -
