Feeling Revolution: Cinema, Genre, and the Politics of Affect under Stalin
- Submitting institution
-
University of Nottingham, The
- Unit of assessment
- 28 - History
- Output identifier
- 4919681
- Type
- A - Authored book
- DOI
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10.1093/oso/9780198831099.001.0001
- Publisher
- Oxford University Press (OUP)
- ISBN
- 9780198831099
- Open access status
- -
- Month of publication
- July
- Year of publication
- 2020
- URL
-
-
- Supplementary information
-
-
- Request cross-referral to
- -
- Output has been delayed by COVID-19
- No
- COVID-19 affected output statement
- -
- Forensic science
- No
- Criminology
- No
- Interdisciplinary
- Yes
- Number of additional authors
-
0
- Research group(s)
-
-
- Proposed double-weighted
- Yes
- Double-weighted statement
- This 110,000-word monograph is the culmination of 8 years of research, part-supported by a British Academy Postdoctoral Fellowship. It draws on a wide range of primary sources (including materials from six archives in Russia, and over 100 Stalin-era films) in order to explore the role that cinema played in cultivating the distinctive emotional values and norms of Stalinist culture.
- Reserve for an output with double weighting
- No
- Additional information
- Material comprising c. 16 pages from Feeling Revolution was first published as part of an article, ‘If we cannot laugh like that, then how can we laugh?’’, Studies in Russian and Soviet Cinema, 5.3 (2011): 335-351, submitted to REF2014 by the University of Cambridge. This material appears in chapter 2 of the monograph (on pp. 42-43, 45-51, 56-62) in substantially revised form, and incorporates new research on official approaches to the question of ‘Soviet’ laughter. It now forms a section of a broader exploration of the evolution of the comedy film genre in the Soviet Union between 1928 and 1953.
- Author contribution statement
- -
- Non-English
- No
- English abstract
- -
