The feminist uncanny in theory and art practice
- Submitting institution
-
Middlesex University
- Unit of assessment
- 32 - Art and Design: History, Practice and Theory
- Output identifier
- 413
- Type
- A - Authored book
- DOI
-
10.5040/9781474219082
- Publisher
- Bloomsbury Academic
- ISBN
- 9781472511393
- Open access status
- -
- Month of publication
- August
- Year of publication
- 2016
- URL
-
-
- Supplementary information
-
-
- Request cross-referral to
- -
- Output has been delayed by COVID-19
- No
- COVID-19 affected output statement
- -
- Forensic science
- No
- Criminology
- No
- Interdisciplinary
- No
- Number of additional authors
-
0
- Research group(s)
-
-
- Proposed double-weighted
- Yes
- Double-weighted statement
- As a single-authored monograph, The Feminist Uncanny required much more research labour than a typical journal article. Only three out of its ten chapters contain material previously published, and even in these cases the content had to be substantially updated and revised. This book represents the culmination of my research into feminist deployments of the uncanny in theory and art practice, to which I had largely devoted the previous fifteen years. The book contains original interpretations of works from the feminist art historical canon as well as lesser researched projects for which extensive archival research was undertaken.
- Reserve for an output with double weighting
- No
- Additional information
- -
- Author contribution statement
- -
- Non-English
- No
- English abstract
- -