Popular Music in the Post-Digital Age Politics, Economy, Culture and Technology
- Submitting institution
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University of Central Lancashire
- Unit of assessment
- 33 - Music, Drama, Dance, Performing Arts, Film and Screen Studies
- Output identifier
- 36261
- Type
- A - Authored book
- DOI
-
-
- Publisher
- Bloomsbury
- ISBN
- 9781501338397
- Open access status
- -
- Month of publication
- December
- Year of publication
- 2018
- URL
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-
- Supplementary information
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- Request cross-referral to
- -
- Output has been delayed by COVID-19
- No
- COVID-19 affected output statement
- -
- Forensic science
- No
- Criminology
- No
- Interdisciplinary
- No
- Number of additional authors
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2
- Research group(s)
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-
- Proposed double-weighted
- No
- Reserve for an output with double weighting
- No
- Additional information
- This collection examines the future of popular music from the perspective of politics, culture and technology, especially the consequences of the digital shift. Rigg was main organiser of the conference ‘The Future of Popular Music’, on which the book is based, the main author of the book proposal, co-editing it with Mazierska and Gillon, and co-writing the introduction, focusing on the issue of the state of the music industry and careers of contemporary musicians. Rigg is the co-author of chapter 6, ‘The Adaptive Musician’, writing most of this chapter, namely the historical introduction and the section, devoted to Graham Massey.
- Author contribution statement
- -
- Non-English
- No
- English abstract
- -