Early British animation : from page and stage to cinema screens
- Submitting institution
-
University of Southampton
- Unit of assessment
- 27 - English Language and Literature
- Output identifier
- 34353214
- Type
- A - Authored book
- DOI
-
10.1007/978-3-319-73429-3
- Publisher
- Palgrave Macmillian
- ISBN
- 978-3-319-73428-6
- Open access status
- -
- Month of publication
- May
- Year of publication
- 2018
- URL
-
-
- Supplementary information
-
-
- Request cross-referral to
- 33 - Music, Drama, Dance, Performing Arts, Film and Screen Studies
- Output has been delayed by COVID-19
- No
- COVID-19 affected output statement
- -
- Forensic science
- No
- Criminology
- No
- Interdisciplinary
- No
- Number of additional authors
-
0
- Research group(s)
-
-
- Proposed double-weighted
- Yes
- Double-weighted statement
- This longer-form output of 282pp. (runner-up, 2018-2019 Norman McLaren/Evelyn Lambart Award, Best Scholarly Book in Animation) demonstrates sustained research effort through in-depth presentation of a complex and original argument about the cultural history of animated film and the avant-garde in Britain during the ‘silent era’. This eight-chapter monograph was dependent on a 9-year period of research at the BFI and British Library archives, a process that involved looking at rarely-screened prints of animated British films from the early C20th, as well as the collection and analysis of 80 films and film series, and over 200 printed sources.
- Reserve for an output with double weighting
- No
- Additional information
- -
- Author contribution statement
- -
- Non-English
- No
- English abstract
- -