Guide to Brain-Computer Music Interfacing
- Submitting institution
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University of Plymouth
- Unit of assessment
- 33 - Music, Drama, Dance, Performing Arts, Film and Screen Studies
- Output identifier
- 248
- Type
- B - Edited book
- DOI
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10.1007/978-1-4471-6584-2
- Publisher
- Springer
- ISBN
- 9781447165835
- Open access status
- -
- Month of publication
- -
- Year of publication
- 2014
- URL
-
-
- Supplementary information
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-
- Request cross-referral to
- -
- Output has been delayed by COVID-19
- No
- COVID-19 affected output statement
- -
- Forensic science
- No
- Criminology
- No
- Interdisciplinary
- No
- Number of additional authors
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1
- Research group(s)
-
-
- Proposed double-weighted
- No
- Reserve for an output with double weighting
- No
- Additional information
- This book comprises 13 commissioned and peer-reviewed original chapters reporting on emerging new technologies to control music systems with scanned brain activity in real-time. Miranda is author of 1 chapter (10,156 words) and co-author of another 2 (14,365 and 9,563 words, respectively) and the preface (1,060 words). As a pioneer of this field, Miranda is the inventor of the term Brain-Computer Music Interfacing, which has been adopted worldwide to refer to this technology. This is the first ever book on this topic. In collaboration with the co-editor, Miranda was responsible for curating the volume and commissioning the chapters. Miranda also managed the publication as a whole.
- Author contribution statement
- -
- Non-English
- No
- English abstract
- -