Art in the Making: Artists and their Materials from the Studio to Crowdsourcing
- Submitting institution
-
University for the Creative Arts
- Unit of assessment
- 32 - Art and Design: History, Practice and Theory
- Output identifier
- Adamson, G. 2016. AM
- Type
- A - Authored book
- DOI
-
-
- Publisher
- Thames and Hudson
- ISBN
- 9780500239339
- Open access status
- Out of scope for open access requirements
- Month of publication
- -
- Year of publication
- 2016
- URL
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https://thamesandhudson.com/how-is-contemporary-art-made-9780500239339
- Supplementary information
-
-
- Request cross-referral to
- -
- Output has been delayed by COVID-19
- No
- COVID-19 affected output statement
- -
- Forensic science
- No
- Criminology
- No
- Interdisciplinary
- No
- Number of additional authors
-
1
- Research group(s)
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1 - Crafts and Textile Research
- Proposed double-weighted
- No
- Reserve for an output with double weighting
- No
- Additional information
- ‘Art in the Making’ emphasises the importance of process in contemporary art, insisting on the critical relevance of physical creation and examining nine types of making. The book was co-authored by Professor Glenn Adamson and art historian Julia Bryan-Wilson. Adamson and Bryan-Wilson wrote in an intensely collaborative way, as a conscious reflection of the work’s shared authorship. While the two authors never lived closer together than five time zones while writing, they employed techniques of shared research materials and unconstrained over-writing as a way to ensure their voices were fully intermingled.
- Author contribution statement
- -
- Non-English
- No
- English abstract
- -
